By Jared Chausow
By Katie Toth
By Elizabeth Flock
By Albert Samaha
By Anna Merlan
By Jon Campbell
By Jon Campbell
By Albert Samaha
"Do I look like an employment agency?" Barrett boomed.
Well, Jack, he had tried.
There, right across from the favorite table of Brooklyn boss Clarence Normanthe corrupt clubhouse heavyweight whom Newfield and Barrett had been gunning to take down for yearsBarrett had lost it. Not just his temper but, potentially, his sourcethe man who could help him fulfill Newfield's dream of Drano-ing the clog that had plugged the pipes of justice in the borough for generations.
Barrett couldn't get it out of his head that Newfield died while trying to nail this one down. In a way, it was the definitive Newfield/Barrett story: how the greed and narcissism of small-minded viceroys gunks up democracy for all.
Barrett happened upon the key to the story the day in December 2004 that they buried Newfield. The funeral had been a who's who of newshounds, political big shots, boxers, and jazzmen, and by nightfall his West Village brownstone was brimming with old chums like Jimmy Breslin and Freddy Ferrer for the first night of shivah. Chuck Schumer was holding court in the living room when Barrett decided he needed a little alone time with Newfield, and stole up to the dusty, paper-strewn third-floor office, where files of notes and clippings packed bookshelves that stretched so high it took a ladder to retrieve them all. Newfield had long since moved on from the Voice to work for the News, Post, and Sun, but yellowing issues of the paper where he made his nameand whose name he helped makestill hung off the sides of the Buick-long slab of black Formica atop two filing cabinets that served as his desk. In the middle, next to a manual typewriter that he poked at with two fingers, was an open notebook scribbled with his last interview.
It was a knockout scoop, the breakdown of selling judgeships in Brooklynthe how to the why they had both known. Barrett staggered downstairs, awed once again by the working-class boy from Bed-Stuy's ability to pry open the vaults of power. Out of deference to Newfield's pacts with his confidential sources, he didn't consider picking up this particular crowbar himself until a year and a half later, when an anonymous caller rang the Voice spewing dirt on Norman, including how the former Kings County chairman squeezed payoffs out of a relative of Howard Ruditzkya judge's name he had seen scrawled on the notebook on Newfield's desk. Barrett, for sure, listened good. Soon he found himself driving to fetch the notes from the house of the dead man who taught him how to make a canary's song sing from the Voice's front page.
By the mid '70s, Newfield had attained a position at the Voice that allowed him to fill notepads with quotes and quips from the likes of Mario Cuomo and Bobby Kennedy and to land shots against Ed Koch, while Barrett's muckraking at the time kept closer to the ground. After graduating journalism school he co-edited an underground paper in Ocean HillBrownsville that sought to out every local drug dealer and poverty pimp. It named namesand often points of sale. This was a principle that had steered Newfield's own journalism. "Jack would not write in general about lead poisoning," said Janie Eisenberg, his widow, in a recent interview. "He would say, this person in this house."
In 1976, Barrett wrote a state report on how the broke city was spilling a fortune in contracts to the politically wired pals of Democratic Party fat cats. It got Newfield's attention. He came to tour the streets where Barrett saw a mentality of predator and feeder fish in a shark tank and where hope met a dead end in Brooklyn politics. Soon Newfield drew Barrett to the Voice as a reporter whose coring screeds echoed his own. When Voice staffer Tom Robbins was asked the other day if Newfield created Wayne Barrett, his response was, "No, he harnessed him." The two came to share scores of bylines before co-authoring the Koch-damning City for Sale in 1988. According to Robbins, Andrew Maloney, the former U.S. Attorney in Brooklyn, used to mutter about the duo who dashed about town sharing notes and a hit list (which sometimes included Maloney's name), "Oh no, here come Batman and Robin."