New York

Hurricane Paris-Lohan: A CMJ 2005 Round-Up

by

LYCANTHROPY


Excepter: Brooklyn noise’s Tony Yayo?

CMJ Music Marathon 2005
September 14-17

On the backs of these worthless CMJ badges should have been a scavenger hunt checklist: Find Devendra Banhart. Clap your hands at the Clap Your Hands show. Counsel a Suicide Girl. See four bands whose name includes the word “wolf.” Euthanize Laura Veirs. Punch Devendra Banhart. Grand prize? A tour of the Matador mailroom.

At 169 Bar Friday, North Carolina swamp-rockers Tiger Bear Wolf made tasty whine from moby grapes and voodoo chile. Think Comets On Fire, less ablaze. TBW’s boy drummer turned teen wolf by song three, when his teeth fanged and his bare chest sprouted all the hair his daddy’s bottle of Rogaine promised him. Still, he was no match for the lycanthropic drummer of Montreal’s Wolf Parade, Sub Pop’s modest, mousey answer to the Arcade Fire. Those wolfies (no, those) have quite more of a Bowie thing going on, ironic because AF famously performed with the king bitch twice in two weeks, first at Fashion Rocks, second at Summer Stage. But let’s cut the shit: Have Wolfmother moved past their “Black Sabbath plus nothing” formula? Are AIDS Wolf better than Peter Wolf? Is either better than Herpes Wolf, a band that doesn’t even exist? To each, no, sorta.

Meanwhile in the land of on-stage indie gimmickry, we’re-a-project-not-a-band the Octopus Project tried to mask their melody-lack with swats at a theremin, an instrument I’m now convinced nobody really knows how to use. Same bill, Philly’s junk-rock beefhearts Man Man fondled their moustaches, but at least they played well, their carny piano-led ditties touching the same nodes of sympathy those misfit toys did in Rudolph the Red-Nosed Reindeer. In the end though, macho disco outfit the Juan Maclean took top honors: Not only did they have a theremin on stage, and a moustached drummer, but front man John Maclean’s red shirt blended in with the Northsix’s velvet curtains, such that his Mr. Clean skull seemed to float in mid-air, occasionally looking out to the crowd and winking like the genie from Aladdin.

And if you had wished for three worthwhile CMJ hip-hop events, you might have left the fest crotchety. Sorry: C-Rayz Walz, that corny rap four-flusher, doesn’t count. Nor does Screwston don Bun B, whose Southpaw gig was non-CMJ, and who, contrary to the prank text message I received early Sunday morning, did not die midset from a syrup-induced heart attack. Nor counts the talented but tedious Blueprint; his jazzy-fresh “Fat Girls Need Love Too” is 2005’s “Parents Just Don’t Understand,” further proof that soft and hard rap have officially traded places in the increasingly pathetic hip-hop underground.

Next to these officially sanctioned rap events, the Knitting Factory’s last-minute Purple Ribbon showcase felt god-sent. Sure, Killer Mike tuckered himself out by “A.D.I.D.A.S.,” and Bubba Sparxxx didn’t even make it onto the stage, but that just meant more Big Boi, who burned through his big hits for a crowd that had waited nearly two hours for his posse to arrive from Atlanta. At Webster Hall, London emcee Lady Sovereign did her part too, sissing enough nimble-tongued sass and Union Jack butt spanks to hush even the most backpacked fuxxors. Sov’s freaknasty freestyle over the Ying Yang Twins’ controversial “Wait (The Whisper Song)” made good on one panelist’s rumored defense of the song earlier in the week: “Not sure if this is too much information, but I played the song for my girlfriend at the time, and she said she liked it and told me I should pull her hair sometime too. Hey, I’m just saying!”

Wait till you see my Goblin Cock, bragged the Absolutely Kosher showcase, but I was too busy sniveling: Beardclash got schrifted. The one truly boss noise line-up–Nautical Almanac, Prurient, and Metalux–played out in the backwoods of Prospect Park, as it should have, perhaps, but still. In the throes of Fashion Week, Manhattan settled for designer noise–Excepter‘s martian drum-machine circles–while Williamsburg watched over Delia & Gavin’s pleasant but room-clearing analog arpeggios. To say nothing of Delia’s gum-chewing; for nearly an hour, her jaw was the only thing that moved. Chomp-by-chomp, she destroyed time, slowing the CMJ steeplechase–she was the fest’s only respite.

That said, had someone suddenly wrung out bandanna sweat into Delia’s mouth, as Les Savy Fav’s Tim Harrington did to me at his band’s secret Cake Shop gig Friday, I doubt she’d have remained so serene. Maybe Harrington had a bone to pick with me; two weeks ago I did publicly announce that his band quit the punk rock game, a total falsehood. His see-through unitard and Rodin poses proved that, so too his pirate’s mask and necklace made with stones “from the streets of New Orleans.” Witness first post-Katrina joke, check.

More CMJ Coverage at Status Ain’t Hood.