The Iranian director puts us into an iron maiden of deception

Red scare for a redhead oversells the drama surrounding America’s most beloved sitcom

Lee Haven Jones’ film falls into the new subcategory of folk horror—but not for quite a while

Ryusuke Hamaguchi’s two new films invite us to settle in and absorb the connections

The spillway of info and opinion, salted with a very Romanian cynicism, plays very much like a stuffed notebook of outrages

New York City’s grand glitter and grime used to come alive on the big screen. What happened?

‘Possession’ is a merciless plunge into psychodrama, a scenes-from-a-marriage in which the spontaneous generation of oozing monsters isn’t the most appalling thing going on

Movie images are ghosts, but eventually the ghosts themselves begin to rot away

She becomes “St. Vincent,” a pampered, high-handed, controlling star. Because pop stardom is fascist — isn’t it? — her audience adopts her black bob.