Director Peter Strickland’s new film offers an oddball universe that might be a satire.

Ghosts, refugees, teen angst, nudists, the intrusiveness of documentaries, and more are on the docket.

The writer-director can still bring the cringe—and the danger

Every man the traumatized heroine meets is a variation on The Man, laying out the film’s #MeToo agenda with bullet-point flagrancy

The tale reminds us of how little we know about what’s coming

Bialik announced the film as her way to cope with having grown up “around mental illness” – a factor never explicitly expressed in the film, and which might explain the strained detours into foul-mouthed malevolence

Are we winking with or laughing at an actor whose star has fallen straight to streaming?

The details are painfully right—Schoenbrun sharply musters the claustrophobic phase of life when everything seems to happen on your childhood bed

Nixon and the movies were both riding high in 1972, but history was catching up with them

Used to rousting Arabs and “Gypsies,” these Bulgarians don’t seem to know how exactly to be racist toward an African, but they manage