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From The Archives
The Abortionist on the Circuit of Fear
By Marlene Nadle
NEWS & POLITICS ARCHIVES
Mugging the White Liberal
By Jack Newfield
War In Ukraine
One Year of War: In Conversation with Ukrainians Standing Fast
By Anna Conkling
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NEWS & POLITICS ARCHIVES
Mugging the White Liberal
By Jack Newfield
CULTURE
‘Creed: The Musical’: Not an Unserious Production by Unserious People
By Will McDonald
ART
Waiting for the Nighthawks – Edward Hopper and the Denizens of New York
By R.C. Baker
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FILM
‘Boston Strangler’ Is No ‘Zodiac,’ But It Still Has Some Juice
By Michael Atkinson
VOICE CHOICE
Tod Browning: Auteur of the Shadowlands
By Michael Atkinson
BOOKS
Barbara Browning’s ‘The Miniaturists’ Contains Tiny Multitudes
By Rhoda Feng
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Calum Marsh
FILM ARCHIVES
BAMcinemaFest Asserts Itself — Once Again — as a Wellspring of Risk and Discovery
by
Calum Marsh
June 18, 2018
FILM ARCHIVES
At New Directors/New Films, Fledgling Artists Find Their Voice
by
Calum Marsh
March 28, 2018
FILM ARCHIVES
In Astoria, the First Look Festival Makes Heroes Out of Unsung Film Artists
by
Calum Marsh
January 4, 2018
FILM ARCHIVES
What You’ll See At This Year’s BAMcinemaFest
by
Calum Marsh
June 14, 2017
FILM ARCHIVES
Hello to All That
Hermia & Helena’s Matías Piñeiro has become a New Yorker
by
Calum Marsh
May 26, 2017
FILM ARCHIVES
New Directors/New Films Returns to Shatter Expectations
by
Calum Marsh
March 14, 2017
FILM ARCHIVES
Zhao Liang Finds the Poetry — And Pain — in Inner Mongolia’s Coal Mines
by
Calum Marsh
January 23, 2017
FILM ARCHIVES
At MoMI’s First Look Fest, Behold the Films Too Bold for Release
by
Calum Marsh
January 4, 2017
FILM ARCHIVES
Kiss Kiss Bam Bam: Fall in Love With America’s Most Quietly Prestigious Film Festival
by
Calum Marsh
June 14, 2016
FILM ARCHIVES
Walter Salles’s Jia Zhangke Doc Dives Deep Into the Mind of a Great Filmmaker
by
Calum Marsh
May 25, 2016
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