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News 2021
Will Progressive Splits Lead to a Conservative Win in the Manhattan D.A.’s Race?
By Ross Barkan
JOCKBEAT 2021
Missing Person Report: Have You Seen Hal Steinbrenner?
By Vincent Velotta
News 2021
NYC’s Mayoral Cheat Sheet
By Natasha Ishak
Path 2
News 2021
Will Progressive Splits Lead to a Conservative Win in the Manhattan D.A.’s Race?
By Ross Barkan
JOCKBEAT 2021
Missing Person Report: Have You Seen Hal Steinbrenner?
By Vincent Velotta
News 2021
NYC’s Mayoral Cheat Sheet
By Natasha Ishak
Path 2
Dance 2021
Edie Dunn: The “selfish and generous” dancer from London
By Onz Chery
FILM 2021
Sensory Overload and Stupidity Hit Hard in ‘The Hitman’s Wife’s Bodyguard’
By Chad Byrnes
ART 2021
Impermanent Vacation
By Daniel Felsenthal
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Cannes
The 14 Best Movies at the 2018 Cannes Film Festival
by
Bilge Ebiri
May 30, 2018
Cannes
A Tale of Many Godards
At Cannes, different versions of Jean-Luc Godard were everywhere
by
Bilge Ebiri
May 24, 2018
Cannes
“The Wild Pear Tree”: Nuri Bilge Ceylan Gets Personal
by
Bilge Ebiri
May 21, 2018
Cannes
Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
by
Bilge Ebiri
May 19, 2018
“2001: A Space Odyssey” and the Limits of Vision
by
Bilge Ebiri
May 19, 2018
Cannes
Sex, Obsession, and Class in “Under the Silver Lake” and “Burning”
by
Bilge Ebiri
May 17, 2018
Cannes
Lazarus, Come Forth: On Alice Rohrwacher’s Cannes-Stunner “Lazzaro Felice”
by
Bilge Ebiri
May 17, 2018
Cannes
Deconstructing Lars: “The House That Jack Built” Is an Empty Apologia From Von Trier
by
Bilge Ebiri
May 15, 2018
Cannes
Spike Lee’s “BlacKkKlansman” Seizes the Moment (and the American Past)
by
Bilge Ebiri
May 15, 2018
Cannes
Music, Madness, and Memory at Cannes, Part Two: “Cold War,” “Sorry Angel,” and the Mysteries of Love
by
Bilge Ebiri
May 14, 2018
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