Amiri Baraka

“He was the most financially suc­cessful Black visual artist in history and — depending on whether you listened to his admirers or detractors — either a genius, an idiot savant, or an overblown, overpriced fraud.”

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For 150 years, the demimonde has been a visible part of urban life. But media saturation and multicultural reality have dislocated “The Scene.” Bohemia is a state of mind.

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“Given that black folks make art and mar­ket it within white supremacist capitalist patriarchy, none of us can ignore the reality that any black person who wants to create a product with mass crossover appeal must do some serious soul-searching”

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Debating "Art vs. Politics" at the Village Vanguard with LeRoi Jones, Larry Rivers, Archie Shepp, and Jonas Mekas

The coming age of the post-nationalist black aesthetic.

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Fred McDarrah’s photographs defined downtown New York.