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Déjà Vu All Over Again: Will We Discuss Pubic Hairs During the Kavanaugh Hearings?
By The Voice Archives
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They Crawled Out of the Swamps to Save the Mets
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John Wilcock, 1927–2018
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Trump Learned at the Feet of a Master Cheat
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Finding a Place Where Everybody Knows Your Name
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An Evening in the Life of Washington Heights
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David Wojnarowicz’s Universe in a Grain of Sand
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In the Beginning Was the Word (Without Footnotes)
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How the Demimonde Cleaned Up Its Act
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Aaron Hillis
Film
“Machines”: Boring Title, Indispensable Movie
by
Aaron Hillis
August 8, 2017
Film
Jodorowsky’s “Endless Poetry” Continues a Phantasmagorical Coming of Age
by
Aaron Hillis
July 12, 2017
Film
Mourn the Death of Brooklyn’s DIY Death by Audio at the Alamo Drafthouse
by
Aaron Hillis
November 30, 2016
Film
Werner Herzog Contemplates the Mysteries of Our Digital Existence
by
Aaron Hillis
August 17, 2016
Film
Louis Malle’s Cracking-Good Noir ‘Elevator to the Gallows’ Returns, Restored, to Film Forum
by
Aaron Hillis
August 2, 2016
Film
Q&A: Writer-Director Mike Birbiglia Thinks Twice About Improv and Jealousy
by
Aaron Hillis
July 21, 2016
Film
Still Crazy at 15: The New York Asian Film Festival Is Back to Blow Minds Again
by
Aaron Hillis
June 22, 2016
Film
‘Kill Zone 2’ Only Really Works When the Killing Starts, but Then It’s Great
by
Aaron Hillis
May 11, 2016
Film
King Hu’s Kung Fu Epic ‘A Touch of Zen’ Returns to Film Forum, Bloody and Analog
by
Aaron Hillis
April 22, 2016
Film
Denys Arcand’s ‘An Eye for Beauty’ Might Benefit From More of an Eye for Drama
by
Aaron Hillis
April 12, 2016
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