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Cannes
Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
By Bilge Ebiri
The Harpy
Credulity and Barbarity in the Age of Trump
By Talia Lavin
Transit
Why Do Some Parts of New York Have So Many Subways While Others Have None?
By Josh Fruhlinger
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Old-World Fressin’ at 2nd Floor Bar & Essen
By Zachary Feldman
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Bushwick Residents March to Block New DeKalb Monolith
By Jake Bittle
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The Bronx Is Blooming, but for Whom?
By Joshunda Sanders
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Cannes
Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
By Bilge Ebiri
“2001: A Space Odyssey” and the Limits of Vision
By Bilge Ebiri
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Much More Than a GIF, in “Upgrade,” Betty Gabriel Is Ready to Work
By April Wolfe
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Josephine Baker
Bars
Jekyll & Hyde’s Deborah Cox Tells Me What Whitney Houston Personally Taught Her
by
Michael Musto
April 3, 2013
Film
DZI Croquettes
by
Ernest Hardy
November 16, 2011
Food
Coppelia Wants to Cuba Your Peru
by
Robert Sietsema
May 11, 2011
Theater
Jomama Jones Returns to the U.S.A.
by
Jacob Gallagher-Ross
January 12, 2011
Living
JE T’AIME, N.Y. ET  PARIS
by
Araceli Cruz
September 23, 2008
Theater
Cabaret Society in Désir
by
Alexis Soloski
August 27, 2008
Food
In the Spirit of Prohibition
by
LD Beghtol
May 1, 2007
Theater
Feet Films
by
Deborah Jowitt
January 2, 2007
Film
A Woman Alone
by
J. Hoberman
February 21, 2006
Film
An American in Paris
by
J. Hoberman
February 7, 2006
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