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Letter From Iran
A Freedom of Choice Revolution Is Roiling Iran
By Roshanak Darabi
THE FRONT ARCHIVES
Beautiful Butchers: The Shah Serves Up Caviar and Torture
By Alexander Cockburn, James Ridgeway and Jan Albert
ANALYSIS
Are Unions Getting Off Their Knees?
By Bob Hennelly
Path 2
ART ARCHIVES
On the 100th Anniversary of Opening King Tut’s Tomb, All That Glitzes Is Still Not Gold
By Rosalyn Drexler
VOICE OF THE AGES
Remembering Michael Feingold and the Heat-Seeking Missiles of His Theater Criticism
By The Village Voice
MUSIC
Dion: The Wanderer Has Never Left the Building
By Rafael Alvarez
Path 2
MUSIC
96 Tears Raises a Glass to the Late, Beloved Punk Stalwart Howie Pyro
By Katherine Turman
ART ARCHIVES
On the 100th Anniversary of Opening King Tut’s Tomb, All That Glitzes Is Still Not Gold
By Rosalyn Drexler
VOICE OF THE AGES
Remembering Michael Feingold and the Heat-Seeking Missiles of His Theater Criticism
By The Village Voice
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Jacob Gallagher-Ross
Theater archives
Benedict Andrews’s ‘Streetcar’ Dazzles — and Disappoints
by
Jacob Gallagher-Ross
May 3, 2016
Theater archives
Alice Birch’s ‘Revolt. She Said. Revolt Again.’ Mines the History of Gendered Violence
by
Jacob Gallagher-Ross
April 19, 2016
Theater archives
Time Out of Mind: Anne Washburn’s ‘Antlia Pneumatica’ Offers a Glimpse of Infinity
by
Jacob Gallagher-Ross
April 6, 2016
Theater archives
‘Really’ Meditates on History’s Forgotten Subjects
by
Jacob Gallagher-Ross
March 29, 2016
Theater archives
The Aptly Titled Rock Fairytale ‘Wildness’ Doesn’t Need Nuance
by
Jacob Gallagher-Ross
March 1, 2016
Theater archives
Queer Town: ‘O, Earth’ Updates Thornton Wilder for the 21st Century
by
Jacob Gallagher-Ross
February 2, 2016
Theater archives
Ivo van Hove Stages a Brutal and Brilliant Production of Arthur Miller’s ‘A View From the Bridge’
by
Jacob Gallagher-Ross
January 5, 2016
Theater archives
In the Futurist World of ‘Marjorie Prime,’ One Divided by One Is Two
by
Jacob Gallagher-Ross
December 15, 2015
Theater archives
Can a Finely Tuned Ensemble Rescue ‘New York Animals’ From Death-by-Cliché?
by
Jacob Gallagher-Ross
December 1, 2015
Theater archives
Orange Is the New Bard: Phyllida Lloyd Sets Shakespeare’s ‘Henry IV’ in a Women’s Prison
by
Jacob Gallagher-Ross
November 17, 2015
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