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History Bites

IBOGAINE! It’s Back! Just in Time for Doomsday! 

by R.C. Baker

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

VOICE CHOICE

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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Pablo Picasso

ART ARCHIVES

Can the Modernist Canon Please Make Room for a Woman?

“Baya: Woman of Algiers” highlights the work of a twentieth-century trailblazer

by Hannah Stamler

March 14, 2018

ART ARCHIVES

Roxy Paine Will Warp Your Brain

by Christian Viveros-Fauné

September 17, 2014

Edward G. Robinson in Scarlet Street_1945

ART ARCHIVES

Art for Film’s Sake: Celluloid Characters, Real Paintings

Noir films are crammed with pictures of the dead, the missing, and the ghostly

by R.C. Baker

August 13, 2014

ART ARCHIVES

Rothko’s Pre-Breakthrough Watercolors On View at Pace Gallery

by R.C. Baker

June 18, 2014

ART ARCHIVES

William Powhida Christens the “Overculture”

by Christian Viveros-Fauné

March 26, 2014

MUSIC ARCHIVES

The Propeller Group Take on the Art World’s Celebrity Fixation

by Christian Viveros-Fauné

September 25, 2013

ART ARCHIVES

America First: MOMA’s Homegrown Modernism

by R.C. Baker

August 28, 2013

ART ARCHIVES

REVISTING THE MASTER

by Araceli Cruz

September 26, 2012

ART ARCHIVES

Pablo Picasso & Francois Gilot: Paris-Vallauris 1943-1953

by Michael Ashman

June 27, 2012

ART ARCHIVES

TENDER ARTWORKS

by R.C. Baker

February 29, 2012

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