Tom Robbins

Like most rich bullies, Columbia relies on well-placed friends to assure its con­tinued dominance.

Originally published:

“The fact is that Koch has protected Bess Myerson because he has long recognized that there is no way that a damaged Myerson wouldn’t also damage him. And perhaps turn on him”

Originally published:

"It's on the table that my developer have to be the one that gets the piece," she whispers.

Steven Parrino manhandled postwar art movements—Pollock's gestural dance, Stella's monochromes, Warhol's fabulous fatalism—with a lover's passion