“The fact is that Koch has protected Bess Myerson because he has long recognized that there is no way that a damaged Myerson wouldn’t also damage him. And perhaps turn on him”

"It's on the table that my developer have to be the one that gets the piece," she whispers.

Steven Parrino manhandled postwar art movements—Pollock's gestural dance, Stella's monochromes, Warhol's fabulous fatalism—with a lover's passion