“The fact is that Koch has protected Bess Myerson because he has long recognized that there is no way that a damaged Myerson wouldn’t also damage him. And perhaps turn on him”
Originally published June 23, 1987
Steven Parrino manhandled postwar art movements—Pollock's gestural dance, Stella's monochromes, Warhol's fabulous fatalism—with a lover's passion
October 2, 2007