Visual Arts

Pat Place and David Hepher hit the streets to find concrete beauty.

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In which we take the Love & Rockets virtuoso to MoMA for a fresh take on modern art.

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One a painter, the other a sculptor, these untrained virtuosos helped define an American modernism they were completely unaware of.

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Marshall's historical, political, and racial subjects are as far-ranging as his media.

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Pointing his huge camera at nondescript intersections, the photographer arrives at a crossroads of painterly scale and photographic fancy.

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