Rafael de Soto, one of the best pulp practitioners, once said, “If a pretty girl says, ‘I want to go to bed with you, because I like you,’ that's fine art. If a pretty girl says, ‘I want to go to bed with you, but it's a hundred bucks,’ that's commercial art.”

For Hunter S. Thompson’s seminal piece of gonzo revelation, ‘The Kentucky Derby Is Decadent and Depraved,’ the illustrator’s byline read, “Sketched with eyebrow pencil and lipstick by Ralph Steadman.”

A fifty-year legacy of trailblazing work is on display the Gavin Brown Enterprise's sprawling new space in Harlem

In his chilling video work, The New Nationalism, artist Tomás Rafa spotlights some uncomfortable truths about Europe in 2017