Tribes of New York: Winter Jazzfest

Genevieve Peyregne, who runs a jazz booking agency in Paris, flew in for the festival as well as the APAP conference. Taking stock of the jazz scene, she said, “There are less people interested in the new in New York, but there’s a lot that’s new.”
Dina Litovsky

Dina Litovsky

January 5–10. Lower Manhattan and Brooklyn.

Frigid temperatures and drifts of slushy snow didn’t deter the devoted concertgoers who trudged out for Winter Jazzfest, that annual endurance test of 140 or so musical performances scattered throughout Lower Manhattan and Brooklyn — perhaps the densest yearly concentration of jazz anywhere in the world. According to a spokesperson, 7,500 attendees — international tourists, music students, jazz heads, locals — filtered through the clubs, concert halls, and bars of the city to take in an insanely diverse array of music, from the saxophonist Donny McCaslin, who appeared on David Bowie’s final al- bum, to the cerebral pianist Kris Davis. This year the festival also set its sights on the theme of social justice, presenting a slate of politically minded performances, from the likes of Terri Lyne Carrington and Nate Smith, focusing on subjects such as incarceration and police brutality.

On the evening of Friday the sixth, the Voice meandered through the West Village, stopping in to Le Poisson Rouge and Zinc Bar to mingle with attendees of the festival, which coincided with the Association of Performing Arts Presenters conference. Tomoki Sanders, 22 and a student at Berklee College of Music in Boston, was in for the weekend, staying with friends but braving the festival alone. “This is my third time here,” he said proudly. On Sunday we caught up with fans milling about at Littlefield, in Brooklyn, where musicians like Marc Ribot, Linda Oh, and Sam Newsome were playing a tribute to Thelonious 3 Monk, who celebrates his centennial this year. “There’s nobody like him,” Rachel Sacks, a 45-year-old flute player and public health consultant, said of Monk. “He had his own language.”
Text by Matthew Kassel; Photography by Dina Litovsky for the Village Voice