Film

Maria Schrader’s Stefan Zweig Film Is History Worthy of the Author Himself

by Ali Arikan

The Author Of “The New Paris” Tells Us Where The French Go To Feel At Home In The Big Apple

by Teri Tsang Barrett

Williamsburg’s All Hands Takes Inspiration From the Sea and Runs With It

by Zachary Feldman

Corner Slice Is a Neighborhood Pizzeria With Outstanding Ambitions

by Zachary Feldman

A Bistro Is Born: All Paths Lead to Clean Plates at Otway in Clinton Hill

by Zachary Feldman

Matías Piñeiro’s “Hermia & Helena” Is a Sunny Shakespearean Pleasure

by Abbey Bender

Wajda’s “Afterimage” Shows Art Standing Up To Totalitarianism

by Chris Packham

“Abacus” Reveals Who Really Got Punished For The ’08 Crash

by Kristen Yoonsoo Kim

Amber Tamblyn’s Striking ‘Paint It Black’ Transcends Its Influences

by Alan Scherstuhl

The Best NYC Shows This Week: Slowdive, Pond, Trade Show

by Sophie Weiner

Ryan Adams Made His Beacon Theatre Show A Spiritual Homecoming

by Ilana Kaplan

The Best NYC Shows This Week: Redd Kross, Moodymann, A Bed-Stuy Function

by Sophie Weiner

Only “Humanz”: Diminishing Returns, Though Still Plenty of Greatness, on Gorillaz’ Long-Awaited New Album

by Mike Laws

Hamish Linklater’s Risky “The Whirligig” Inspires Unlikely Connections

by Dan Callahan

“Six Degrees”: A Witty Con-Man Classic Picks Apart Bourgeois Complacency

by Joseph Cermatori

Nora Returns With Heavy Baggage in “A Doll’s House, Part 2”

by Michael Feingold

“Samara” Explores Final Frontiers Through Western Iconography and Greek Tragedy

by Miriam Felton-Dansky

Anicka Yi Teaches Viewers To See With Their Noses At The Guggenheim

by Alex Greenberger

Martha Cooper Captures the Transient Splendor of Eighties-Era New York Graffiti Art

by Hannah Stamler

In Todd Webb’s Mid-Century Photographs, the Sidewalks of New York Come Alive

by Michael J. Agovino

Sublime Shacks: The Vivid Enigmas of Maureen Gallace’s Pastoral Visions

by R.C. Baker

Film

Maria Schrader’s Stefan Zweig Film Is History Worthy of the Author Himself

Food

The Author Of “The New Paris” Tells Us Where The French Go To Feel At Home In The Big Apple

Williamsburg’s All Hands Takes Inspiration From the Sea and Runs With It

Corner Slice Is a Neighborhood Pizzeria With Outstanding Ambitions

A Bistro Is Born: All Paths Lead to Clean Plates at Otway in Clinton Hill

Film

Matías Piñeiro’s “Hermia & Helena” Is a Sunny Shakespearean Pleasure

Wajda’s “Afterimage” Shows Art Standing Up To Totalitarianism

“Abacus” Reveals Who Really Got Punished For The ’08 Crash

Amber Tamblyn’s Striking ‘Paint It Black’ Transcends Its Influences

Music

The Best NYC Shows This Week: Slowdive, Pond, Trade Show

Ryan Adams Made His Beacon Theatre Show A Spiritual Homecoming

The Best NYC Shows This Week: Redd Kross, Moodymann, A Bed-Stuy Function

Only “Humanz”: Diminishing Returns, Though Still Plenty of Greatness, on Gorillaz’ Long-Awaited New Album

Theater

Hamish Linklater’s Risky “The Whirligig” Inspires Unlikely Connections

“Six Degrees”: A Witty Con-Man Classic Picks Apart Bourgeois Complacency

Nora Returns With Heavy Baggage in “A Doll’s House, Part 2”

“Samara” Explores Final Frontiers Through Western Iconography and Greek Tragedy

Art

Anicka Yi Teaches Viewers To See With Their Noses At The Guggenheim

Martha Cooper Captures the Transient Splendor of Eighties-Era New York Graffiti Art

In Todd Webb’s Mid-Century Photographs, the Sidewalks of New York Come Alive

Sublime Shacks: The Vivid Enigmas of Maureen Gallace’s Pastoral Visions