Get Your Jerk On At Khem’s, Bed Stuy’s New Jamaican Hotspot

by Zachary Feldman

Prepare To Share At Pig Bleecker, The Village’s Buzzy New BBQ Joint

by Zachary Feldman

The Author Of “The New Paris” Tells Us Where The French Go To Feel At Home In The Big Apple

by Teri Tsang Barrett

Williamsburg’s All Hands Takes Inspiration From the Sea and Runs With It

by Zachary Feldman

Todd Haynes’s Out-of-Time City Symphony “Wonderstruck” Lives Up to Its Name

by Bilge Ebiri

“Diamond Island” Is a Dreamy, Bewitching Coming-of-Age Drama

by Bilge Ebiri

“Only the Brave” Is One Big, Manly, Beautiful Ugly-Cry

by Bilge Ebiri

Seriously, Adam Sandler Triumphs in “The Meyerowitz Stories (New and Selected)”

by Bilge Ebiri

Jlin’s ‘Black Origami’ Gives New Shape To Footwork

by Sasha Frere-Jones

The Best NYC Shows This Week: Slowdive, Pond, Trade Show

by Sophie Weiner

Ryan Adams Made His Beacon Theatre Show A Spiritual Homecoming

by Ilana Kaplan

The Best NYC Shows This Week: Redd Kross, Moodymann, A Bed-Stuy Function

by Sophie Weiner

With Sympathy and Showmanship, “Mary Jane” Depicts a Single Mother’s Charge

by David Cote

Suzan-Lori Parks’s “Red Letter Plays”: Tragic Trips Along Hester’s Street

by Michael Feingold

The Riveting, Roving “Oh My Sweet Land” Tackles the Plight of the Refugee

by Nicole Serratore

Derek DelGaudio’s “In & Of Itself” Combines Magical Amazements With Rich Storytelling

by Michael Sommers

Lynette Yiadom-Boakye Paints It Black At The New Museum

by Christian Viveros-Faune

Robert Rauschenberg Did Everything And Influenced Everyone (Yes, Everyone)

by Christian Viveros-Faune

Anicka Yi Teaches Viewers To See With Their Noses At The Guggenheim

by Alex Greenberger

Martha Cooper Captures the Transient Splendor of Eighties-Era New York Graffiti Art

by Hannah Stamler

Food

Get Your Jerk On At Khem’s, Bed Stuy’s New Jamaican Hotspot

Prepare To Share At Pig Bleecker, The Village’s Buzzy New BBQ Joint

The Author Of “The New Paris” Tells Us Where The French Go To Feel At Home In The Big Apple

Williamsburg’s All Hands Takes Inspiration From the Sea and Runs With It

Film

Todd Haynes’s Out-of-Time City Symphony “Wonderstruck” Lives Up to Its Name

“Diamond Island” Is a Dreamy, Bewitching Coming-of-Age Drama

“Only the Brave” Is One Big, Manly, Beautiful Ugly-Cry

Seriously, Adam Sandler Triumphs in “The Meyerowitz Stories (New and Selected)”

Music

Jlin’s ‘Black Origami’ Gives New Shape To Footwork

The Best NYC Shows This Week: Slowdive, Pond, Trade Show

Ryan Adams Made His Beacon Theatre Show A Spiritual Homecoming

The Best NYC Shows This Week: Redd Kross, Moodymann, A Bed-Stuy Function

Theater

With Sympathy and Showmanship, “Mary Jane” Depicts a Single Mother’s Charge

Suzan-Lori Parks’s “Red Letter Plays”: Tragic Trips Along Hester’s Street

The Riveting, Roving “Oh My Sweet Land” Tackles the Plight of the Refugee

Derek DelGaudio’s “In & Of Itself” Combines Magical Amazements With Rich Storytelling

Art

Lynette Yiadom-Boakye Paints It Black At The New Museum

Robert Rauschenberg Did Everything And Influenced Everyone (Yes, Everyone)

Anicka Yi Teaches Viewers To See With Their Noses At The Guggenheim

Martha Cooper Captures the Transient Splendor of Eighties-Era New York Graffiti Art