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Diagrammed sentences at Nicole Klagsbrun
By Brienne Walsh
Ben Durham doesn't seem like the sort of guy who would be involved with criminals and delinquents. He has the earnest and measured mien of a... More >>
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Play them as they lie
By R. C. Baker
A serious golfer, artist Charles McGill knows from bad lies. In 1997, he photographed himself playing through a vacant lot in Harlem, firing off... More >>
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By R. C. Baker
Roaming through MOMA's chockablock installation of highlights from Claes Oldenburg's early career, you can sense a febrile mind and... More >>
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Deep cuts
By R. C. Baker
There is something both elegiac and death-defying about Gordon Matta-Clark's work.
The short-lived Matta-Clark (1943–1978) is most famous... More >>
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By Christian Viveros-Faune
The mother of all Great Depression books, Let Us Now Praise Famous Men, grew out of a Time magazine assignment. Accepting it were two young... More >>
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By Christian Viveros-Fauné
Contrary to many expectations, there is rigorous contemporary art that knocks your block off at first sight. James Nares's high-definition video... More >>
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One of the nineties' best-known graffiti masters returns to the streets
By J. Pablo
Adam Cost is at a Basquiat exhibit at the Gagosian Gallery, a rare trip for him into a world he's never been welcome in or belonged to. But for... More >>
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Edited By Christian Viveros-Fauné
Palermo: Works on Paper 1976-1977
April 25–June 29
As noms d'artiste go, he had a ringer. Born Peter Schwarze, the adopted Peter... More >>
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In praise of a knucklehead
By R. C. Baker
Robert Arneson (1930–92) was an incorrigible provocateur. You might recall his notorious 1981 memorial for slain San Francisco mayor George... More >>
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Enter The Visitors' surround-sound solace
By R. C. Baker
Although the band broke up three decades ago, Abba continues to reverberate across cultural frontiers. Icelandic artist Ragnar Kjartansson has... More >>
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Mad as hell, and shilling brilliantly for the Armory art fair
By Christian Viveros-Faune
The improbably named Liz Magic Laser (yes, that really is her name) is a 21st-century Paddy Chayefsky. A hugely talented, unlikely 31-year-old... More >>
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By Christian Viveros-Fauné
The recent New Museum exhibition "NYC 1993: Experimental Jet Set, Trash and No Star" has launched a wave of multi-culti, identity-politics... More >>
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Nontrivial pursuits, 1990s edition
By R. C. Baker
So now we know: If Al Gore hadn't invented the Internet in the 1980s, the art world, circa 1993, would have spawned it instead. The New Museum's... More >>
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By R. C. Baker
In a stroke of grim serendipity, Trevor Paglen's latest exhibition opened on the day the Senate began confirmation hearings on John O. Brennan,... More >>
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By Christian Viveros-Faune
"The art market focuses attention on what its priorities are, which is big buying and big selling—so we wind up talking about Koons, Hirst,... More >>
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On the artist's dissident mash-ups
By R. C. Baker
"I love him—no, no!" says a laughing Leonid Sokov when I mention Joseph Stalin. We are surrounded by guests hoisting shots of... More >>
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The Chinese artist shatters the everyday
By R. C. Baker
You can't get more quotidian than Song Dong's large photographic self-portraits, Eating Drinking Shitting Pissing Sleeping (1999). The listless... More >>
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Sultans of rot
By Christian Viveros-Fauné
Dieter Roth's massive new exhibition at Hauser & Wirth's 25,000-square-foot Chelsea space is like the miracle foodstuff of the moment, 100... More >>
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By Robert Shuster
Richard Ross: 'Juvenile-in-Justice'
Inside a Kansas detention center, a 12-year-old boy sits alone in a cinder block cell, completing a homework... More >>
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By Rob Shuster
Nils Karsten: 'Suburbia Hamburg 1983'
The woodcut might seem like a rather staid choice for relating memories of punk rock, but in Nils... More >>