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Craig D. Lindsey

FILM ARCHIVES

“Reprisal” Somehow Manages to Waste Both Bruce Willis and Frank Grillo

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FILM ARCHIVES

“The Blue Iguana” Is Like a Knockoff of a Tarantino Knockoff

Remember when this trend was over?

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FILM ARCHIVES

‘Say It Loud’ Delivers a Fiery Crash Course in Political Cinema From the Black Power Era

The two-week BAMcinématek program offers an overview of screen work that captured the spirit of an incendiary movement

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FILM ARCHIVES

“Night Comes On” Is an Assured, Bleak Directorial Debut

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FILM ARCHIVES

Iran’s “No Date, No Signature” Asks Why It’s So Hard for Men to Face What They’ve Wrought

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FILM ARCHIVES

“Killer Bees” Proves There’s Basketball (and Racial Inequality) in the Hamptons

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FILM ARCHIVES

Ferris Bueller, Quentin Tarantino, and the Construction of Whiteness in American Cinema

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FILM ARCHIVES

“SuperFly” Is Silly, Pandering, and Full of One-Note Fools

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Health

Black People, We Need to Talk About Mental Health

We’ve moved past the days when Mariah Carey and Martin Lawrence couldn’t even discuss their problems publicly, but there’s still a long way to go

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FILM ARCHIVES

Action Flick “China Salesman” Appears to Have Been Made by China Salesmen

But you’ve got to hear Mike Tyson’s accent

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