VVLOGO_NEWBLUE

David Cote

SEVEN DECADES

Blood Bath: In 2017, Shakespeare in the Park Went After the ‘Cheeto Caesar’

Almost a decade ago, a Trumped-up “Julius Caesar” had corporate sponsors gnashing their teeth over “good taste.”

by

Originally published:

Theater archives

“Henry VI,” Shakespeare’s Forbidding Chronicle of Civil War, Rings Clearly Today

by

Theater archives

The Lyrical Artistry of Broadway’s “Pretty Woman” Musical Wouldn’t Pass Muster in a Febreze Commercial

by

Theater archives

In “Head Over Heels,” Go-Go’s Hits and Elizabethan Drag Go Hand in Hand

by

Theater archives

Joshua Harmon’s “Skintight” Scrutinizes the Rules of Attraction

by

Obies

Onstage and Off, Chukwudi Iwuji Relishes the Role of the Outsider

‘I’ve never had a problem with being the other because I’m a very functional introvert,’ says the continent-hopping Obie-winning actor

by

Best of Spring

Gregory Doran and the Royal Shakespeare Company Settle In to a Thorny “King Lear” at BAM

“Just because it ends tragically, don’t play it that way,” the director says of his open-minded approach to the Bard’s portrait of madness

by

TV ARCHIVES

HBO’s “Arthur Miller: Writer” Parses the Life of One of America’s Definitive Playwrights

by

Theater archives

Shakespeare’s “The Winter’s Tale” Achieves Room Temperature in Brooklyn

by

Theater archives

In “Lobby Hero,” Kenneth Lonergan’s Beautiful Losers Patrol Broadway

by