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From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
THE FRONT
The Dangerous Politics Behind NYC’s Lifeguard Shortage
By Ruthie Kornblatt-Stier
Path 2
NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
ART ARCHIVES
Money and Art Marry: The Scull Auction at Sothebys
By Alexander Cockburn
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
Path 2
VOICE CHOICE
An ‘Infinite Staircase’ of World Premieres in Williamsburg
By Ben Gambuzza
ART
Art at the Borders of East and West – and War
By R.C. Baker
BOOKS
Dancers and Dance Writers Tell It Like It Was, Is, and Will Be
By Elizabeth Zimmer
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Combined Shape
VVLOGO_NEWBLUE
Leo Goldsmith
FILM ARCHIVES
“Flat Is Beautiful” Considers Pixelvision’s Second Life
The Film Society’s series unpacks how artists and independent filmmakers including Sadie Benning and Michael Almereyda embraced the unruly children’s toy
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Leo Goldsmith
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FILM ARCHIVES
Tropical Melodies: Stephanie Barber’s “In the Jungle” Is a Singular Floral Fantasy
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Leo Goldsmith
February 17, 2018
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Wang Bing’s Typically Complex “Bitter Money” Observes a Chinese Garment Factory
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January 16, 2018
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Reality Stars: “The Non-Actor” Surveys Amateur Performance in the Movies
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Be Kind, Rewind: Alt-Media Pioneers Crack Open Their Time Capsules
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‘The Fallen’
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FILM ARCHIVES
The Fisher Queen: Blanchett Shines in Aussie Junkie Drama
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February 14, 2006