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The Dumping of Pandemic Pets
By Raj Tawney
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Joy in Metville
By Charlie Vascellaro
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A Soldier’s Life: Conversations Inside Ukraine’s Defense Force
By Anna Conkling
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Ada Calhoun Explores Personal and Cultural History in ‘Also a Poet’
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Ghosts of NYPD Scandals: Was Detective Bill Phillips Framed by Corrupt Cops?
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James Ponsoldt’s ‘Summering’ Stumbles Over a Corpse in the Woods
By Michael Atkinson
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Ada Calhoun Explores Personal and Cultural History in ‘Also a Poet’
By Rafael Alvarez
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King Vidor, Golden Age Hollywood’s Oddball Idealist
By Michael Atkinson
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Simon Abrams
FILM ARCHIVES
“The Island” Is Like “Lord of the Flies” With Grown-Up Schmucks
by
Simon Abrams
August 8, 2018
FILM ARCHIVES
Superhero Spoof “Teen Titans Go! To the Movies” Rides the Coattails of Lazy Meta-Jokes
by
Simon Abrams
July 27, 2018
FILM ARCHIVES
“14 Cameras”: Some Movies Are Just Bad
by
Simon Abrams
July 25, 2018
FILM ARCHIVES
Who Needs Drugs When You’ve Got “Detective Dee: The Four Heavenly Kings”?
by
Simon Abrams
July 24, 2018
FILM ARCHIVES
Paris Is for Lovers and Also Zombies in “The Night Eats the World”
by
Simon Abrams
July 11, 2018
FILM ARCHIVES
Vincent Cassel’s Charisma Saves “Gauguin: Voyage to Tahiti”
by
Simon Abrams
July 11, 2018
FILM ARCHIVES
The Subjects of “A Skin So Soft” Are Here to Pump Themselves Up
by
Simon Abrams
July 3, 2018
FILM ARCHIVES
The Slow-Burn Style of Techno-Thriller “Hover” Makes It Worth Seeing
by
Simon Abrams
June 27, 2018
FILM ARCHIVES
“Incident in a Ghostland” Is a Disturbing and Effective Critique of Misogynist Torture Porn
by
Simon Abrams
June 22, 2018
FILM ARCHIVES
Robert Pattinson and Mia Wasikowska’s Alt-Western “Damsel” Isn’t as Clever as It Thinks It Is
by
Simon Abrams
June 20, 2018
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