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FILM

FILM

Review: ‘Teenage Sex and Death at Camp Miasma’ Slashes a Genre With Wit and Mint Details

Jane Schoenbrun’s inspired new film gets meta about a Final Girl now too old for her franchise, even as she lives within it.

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FILM

Review: Nicolas Winding Refn’s ‘Her Private Hell’ Lands Viewers in Cinema Purgatory

The auteur of the “Pusher” trilogy can no longer find his way through the dry-ice fog of his puerile obsessions.

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FILM

John Waters: The Pope of Trash Confesses His Sins

The filmmaker revels in the absurd humor of a rough world.

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FILM

Review: ‘Rose of Nevada’ Time Travels Through the Desolation of Britain’s Working Class

Writer/director Mark Jenkin employs old-school techniques to capture the grit and brine of a magical voyage.

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STREAMING

How ‘Interview with the Vampire’ Costume Designer Lex Wood Turned ‘The Vampire Lestat’ into a Rock Star for Season Three

The old saying that “the clothes make the man” does double duty when it is a vampire doing the vamping.

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FILM

Director Travis Knight Brings His ‘Masters of the Universe’ Dream to Life: Reinventing He-Man’s Lore, Why He ‘Hates’ Skeletor’s Keldor Origin, and the Future of Eternia

The ’80s kids’ hero gets a cinematic makeover that stays true his cartoon and action-toy roots.

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VOICE CHOICE

Making Movies in NYC Might Seem Thrilling, But You Can Get the Real Dope at a Live Q&A

This Friday, join "Cinematic Immunity" author Michael Lee Nirenberg as he discusses the artistry, thrills, and occasional disasters of shooting on location in NYC.

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FILM

Review: Kane Parsons’ ‘Backrooms’ Explores the Evil Architecture of Banality

The director goes places AI could never think of.

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FILM

Director Simon McQuoid on Raising the Emotional Stakes of ‘Mortal Kombat II,’ Cole Young’s Fate, and His Mind Meld With Ed Boon

The Australian helmer recounts the blood — lots of it — sweat, and tears that went into this sophomore cinematic version of the gaming blockbuster.

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FILM

Review: In ‘Lorne’ the Most Elusive Man in Showbiz Stays that Way

In a new doc, comedians praise Lorne Michaels, but the comic edges are soft.

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