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History Bites

IBOGAINE! It’s Back! Just in Time for Doomsday! 

by R.C. Baker

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

VOICE CHOICE

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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Central Europe

Living

PASSPORT TO POLAND

by Danny King

November 19, 2014

FILM ARCHIVES

Archival Reels Capture Life During Wartime in Warsaw Uprising

by Diana Clarke

November 5, 2014

MUSIC ARCHIVES

SOHN

by Caitlin White

May 7, 2014

FILM ARCHIVES

WWII Drama Walking with the Enemy Crams a Lot of Big Ideas Into a Small Movie

by Michael Nordine

April 23, 2014

FILM ARCHIVES

Hank and Asha’s Speechifying to the Camera, a Clunky Storytelling Device

by Zachary Wigon

April 9, 2014

FILM ARCHIVES

The Grand Budapest Hotel Is Wes Anderson’s Most Mature and Visually Witty Effort

by Amy Nicholson

March 5, 2014

ART ARCHIVES

Q&A: Jenny Offill Talks Dept. of Speculation, Motherhood, and “Art Monsters”

by Angela Ashman

January 29, 2014

ART ARCHIVES

STRINGS ON FIRE

by Richard Gehr

November 20, 2013

FILM ARCHIVES

How the Great, Forgotten Forced March Made It Back to Theaters

by Sam Weisberg

November 1, 2013

FILM ARCHIVES

Museum Hours Makes Art of Waiting

by Calum Marsh

June 26, 2013

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