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NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
THE FRONT
The Dangerous Politics Behind NYC’s Lifeguard Shortage
By Ruthie Kornblatt-Stier
Path 2
NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
ART ARCHIVES
Money and Art Marry: The Scull Auction at Sothebys
By Alexander Cockburn
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
Path 2
FILM
Bloodthirsty fascist autocrats as vampires? ‘El Conde’ has your ticket.
By Michael Atkinson
VOICE CHOICE
An ‘Infinite Staircase’ of World Premieres in Williamsburg
By Ben Gambuzza
ART
Art at the Borders of East and West – and War
By R.C. Baker
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Combined Shape
VVLOGO_NEWBLUE
Keith Poulson
FILM ARCHIVES
Nathan Silver, an Iconoclast Who Probes Group Dynamics, Is Back at Tribeca
The New York director’s typically reflexive new movie, “The Great Pretender,” concerns dubious decisions, onstage and off
by
Mark Asch
April 23, 2018
FILM ARCHIVES
Here’s Hellaware, That Horror-Comedy Juggalo Satire You’ve Been Looking For
by
Pete Vonder Haar
September 24, 2014
FILM ARCHIVES
Somebody Up There Likes Me Charms Like Early Wes Anderson
by
Ted Scheinman
March 29, 2013