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FEATURE ARCHIVES
Sanctifying the Evangelical Vote
By James Ridgeway
EQUALITY ARCHIVES
Malcolm X vs. Bayard Rustin: Black on Black
By Robert Brookins Gore
ACTIVISM ARCHIVES
Report From Prague: Viewing a Disaster
By David McReynolds
Path 2
ART ARCHIVES
Money and Art Marry: Scull Sale at Sothebys
By Alexander Cockburn
EQUALITY ARCHIVES
Malcolm X vs. Bayard Rustin: Black on Black
By Robert Brookins Gore
NEW YORK CITY ARCHIVES
In Search of Bohemia
By C.Carr
Path 2
MUSIC ARCHIVES
Does Queen Out-Led Zep — Or Out-Uriah Heep?
By John Swenson
FILM ARCHIVES
The Late Great Orson Welles
By Mark Jacobson
POLITICS ARCHIVES
Thomas v. Hill: Days of Our Lives
By Amy Taubin
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Michael Haneke
Film
Cannes’s Beguilements
Relishing the latest from Lanthimos, Coppola, and Baumbach
by
Bilge Ebiri
May 25, 2017
Film
Stations of the Cross Leading at the 2014 Berlin Film Festival
by
Stephanie Zacharek
February 19, 2014
Film
Teens Caught Between Guns and Cameras in The Dirties
by
Zachary Wigon
October 2, 2013
Film
Ulrich Seidl Begins His Paradise Trilogy with Lonely Love
by
Michael Atkinson
April 24, 2013
Film
Michael Haneke’s Chilly, Lauded Amour
by
Nick Pinkerton
December 19, 2012
Film
Fast-food Strip-search Drama Compliance Looks Hard at What Movies Usually Look At
by
Steven Erickson
August 15, 2012
Film
Hunger Pains in Jorge Michel Grau’s We Are What We Are
by
Nick Schager
September 22, 2010
Voice Choices
The Piano Teacher
by
Jim Hoberman
May 18, 2010
Film
Doc-Making Off the Map: Nikolaus Geyrhalter at Anthology
by
Rob Nelson
January 12, 2010
Film
Certainty and a Sure Hand Behind The White Ribbon’s Unsolved Mystery
by
J. Hoberman
December 29, 2009
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