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Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

Well-read.

History Bites

IBOGAINE! It’s Back! Just in Time for Doomsday! 

by R.C. Baker

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

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Ross McElwee

FILM ARCHIVES

Photographic Memory

by Nick Schager

October 10, 2012

FILM ARCHIVES

The Kids Grow Up’s Doug Block Talks Personal Docs

by Anthony Kaufman

October 27, 2010

FILM ARCHIVES

‘Following Sean’

by Drew Tillman

April 25, 2006

Technology

America’s Preeminent Film Diarist

by Michael Atkinson

November 15, 2005

Technology

My Life as Seed of a Tobacco Mogul

by Michael Atkinson

June 7, 2005

FILM ARCHIVES

A Documentarian Searches for His Tobacco-Stained Roots

by Michael Atkinson

August 17, 2004

FILM ARCHIVES

The Big Tease

by Anthony Kaufman

October 22, 2002

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