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History Bites

IBOGAINE! It’s Back! Just in Time for Doomsday! 

by R.C. Baker

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

VOICE CHOICE

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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Western Europe

FILM ARCHIVES

The New Queer Cinema Burns On in BAM’s Grand Jarman Retro

by Melissa Anderson

October 28, 2014

Living

AMERICANARAMA

by Richard Gehr

September 24, 2014

Living

DJ Chuckie

by Lina Abascal

September 24, 2014

Living

BON TEMPS

by Heather Baysa

July 9, 2014

FILM ARCHIVES

The UK Children’s Series Postman Pat: The Movie Gets an American Release

by Sherilyn Connelly

June 25, 2014

Village Voice review of the 2014 Sigmar Polke retrospective, ‘Alibis: Sigmar Polke 1963-2010’ written by R.C. Baker

ART ARCHIVES

Sigmar Polke’s Aesthetic Escape Velocity on View at MoMA

Polke was a one-man group show, working with a staggering array of materials

by R.C. Baker

April 23, 2014

Living

Jolie Holland

by Richard Gehr

April 23, 2014

Living

SUPERSTAR POWER

by Village Voice

April 23, 2014

FILM ARCHIVES

BOYS WILL BE BOYS

by Brittany Spanos

April 2, 2014

ART ARCHIVES

OPPOSITES ATTRACT

by Elizabeth Zimmer

March 12, 2014

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