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News & Politics
After Santa Fe Shooting, Have Conservatives Shot Their Wads?
By Roy Edroso
Cannes
Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
By Bilge Ebiri
The Harpy
Credulity and Barbarity in the Age of Trump
By Talia Lavin
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Washington, D.C.
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Food
Old-World Fressin’ at 2nd Floor Bar & Essen
By Zachary Feldman
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Bushwick Residents March to Block New DeKalb Monolith
By Jake Bittle
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The Bronx Is Blooming, but for Whom?
By Joshunda Sanders
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Obies
“Mary Jane” and “Is God Is” Achieve a Glorious Trifecta at the 63rd Obie Awards
By Village Voice staff
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Watch the 2018 Obie Awards Online
By Village Voice staff
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“The Wild Pear Tree”: Nuri Bilge Ceylan Gets Personal
By Bilge Ebiri
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Melissa Anderson
Film
Metrograph Celebrates “The Lost Moment” — And Other Nearly Lost Moments
by
Melissa Anderson
September 12, 2017
Film
Bathroom Pickups and Domestic Life Are Explored in the Rarely Revived “Taxi to the Toilet”
by
Melissa Anderson
September 5, 2017
Film
The Teri Show: BAM Celebrates a Kicky, Kinetic Performer
by
Melissa Anderson
August 29, 2017
Film
“Prick Up Your Ears” Smartly Depicts a Complex Gay Life
by
Melissa Anderson
August 29, 2017
Film
Eliza Hittman Probes Turbulent Desire in Coastal Brooklyn in the Evocative “Beach Rats”
by
Melissa Anderson
August 22, 2017
Film
Feel-Good Rapper Comedy “Patti Cake$” Doesn’t Earn Its Mic
by
Melissa Anderson
August 15, 2017
Film
A Sparring Series at Anthology Comes Out Swinging
by
Melissa Anderson
August 15, 2017
Film
Bertrand Bonello Takes on Teen Terrorism in the Hypnotizing, Estranging “Nocturama”
by
Melissa Anderson
August 8, 2017
Film
A Bigger Splash: Metrograph Celebrates Sun, Sea, and Lust With a Fire Island Series
by
Melissa Anderson
August 8, 2017
Film
Geography Lessons and Grindr Make for a Lovely “4 Days in France”
by
Melissa Anderson
August 1, 2017
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