By Jared Chausow
By Katie Toth
By Elizabeth Flock
By Albert Samaha
By Anna Merlan
By Jon Campbell
By Jon Campbell
By Albert Samaha
Brian Murphy is a master piercer. He trained at the Gauntlet and worked there until that place went bankrupt last December. Then he set up business with a partner under the new name of Gotham and decamped to temporary quarters in East Side, Inc., an East Village tattoo parlor that's a mecca for the human canvas set.
Master piercer may not be a career you hear many kids saying they aspire to when they grow up, but why not? It's a living. It's such a good living, in fact, that all the Sunglass Huts in the country would probably like to horn in on the business. "I keep getting calls from people saying, 'Would you teach us to do navels?' and I'm like, 'No.' "
This situation would certainly have been unforeseeable 10 years ago, when Murphy came onto a scene whose locus was the infamous Club Fuck! in L.A. Fuck! was home back then to every anarchic queer Angeleno with a copy of Re/Search #12 ("Modern Primitives") and a Trent Reznor jones. Murphy was a south Florida arrival with a few modest tattoos and a pierced nipple done by an amateur in a friend's Miami living room. "He used a pressure cooker instead of an autoclave to sterilize the needle," says Murphy. "I was lucky. He did a good job."
Well before that, Murphy had been exploring an interest in unorthodox self-enhancement, performing temporary lancings on himself and piercing his own ears at age 12. Those particular holes, which he now fills with a pair of platinum and ebony ear plugs, have been stretched over time to the point where you can put a pinky through them.
He's also accumulated a large number of images on his person, to the point where he brings to mind Melville's Queequeg, who "had written out on his body a complete theory of the heavens and the earth and a mystical treatise on the art of attaining truth. . . . "
It's a strange fact about modern primitives that they could only happen in a postindustrial world. Is it atavism that makes people scrawl stuff all over their flesh and perforate their bodies, or is it an attempt to combat the pollution of an information age? Can symbols snatched from the data stream be assembled into something personal and coherent? Murphy thinks they can. "It's such a human need, to decorate and adorn the body," says the 29-year-old, whose flesh seems less adorned than illuminated, less ornamented than inscribed with an explanatory text.
"I got the stars," Murphy was saying the other day, in a break between piercings, "because I liked the idea of black nipples. It seemed pretty raunchy, sort of a circus burlesque element. The gun I got when I was going through a gun obsession phase. I thought if I got the tattoo, it would get me out of it. It didn't work, though. I bought a Taurus 9 millimeter anyway. I got my feet done with the Maori bats because I'd had a boyfriend who was killed, he was a skinhead and he got shot in some stupid skinhead violence. He had a Maori bat on his abdomen. I did it to commemorate him. The Tibetan storm clouds represent one of the 12 bodhisattvas, this one is the bodhisattva of the Underworld, who is the patron of gamblers, travelers, lost causes, and the dead. I just felt that, of all the bodhisattvas, that one matched my personality more. The Retarded Whore tattoo comes from a production company I was involved with when we were running a club in San Francisco called Jesus.
"The piercing has always been more of an obsession than a career ambition of mine. I've had a lot of piercings. I've had some that I've taken out, but I still have the septum and one of two labret piercings below my lip, and a Prince Albert through my urethra and an apadravya, which is a vertical bar through the head of the glans. I've also got the navel and ears, of course.
"Piercing now is about 50 percent professionals and 50 percent people just jumping into it for the money. At Gauntlet I trained for almost two years. It was a year before I was allowed to do any piercings myself. You have to learn about sterilization and cross-contamination before you even get into technique. Customers come in and they're terrified and don't really know why they're doing it and that can be very taxing. You need to be a therapist and a piercer. Other people come in and have a very clear idea of what they're after and I really like that.