By Albert Samaha
By Steve Weinstein
By Devon Maloney
By Tessa Stuart
By Alison Flowers
By Albert Samaha
By Jesse Jarnow
By Eric Tsetsi
The initial police raid on the Stonewall that started the riots happened five days earlier, on June 28. But on Wednesday, July 2, there was a new wave of anger and rioting. The cause: the Village Voice.
That day, two articles appeared on the Voice's front page describing the struggle happening both inside and outside the Stonewall Inn.
Voice reporter Howard Smith's piece described how he found himself trapped inside the Stonewall with police officers as they came under violent attack by the crowd -- at one point, Smith wishes he had a gun to defend himself, just like the cops.
Writer Lucian Truscott IV reported on the agitated street scene outside the building. "Limp wrists were forgotten," Truscott writes, but his use of words like "faggot" and "faggotry" enraged gay activists. Anger at the pieces ran so high, rioters marched on the Voice office itself.
Four decades on, here's another opportunity to see what caused all the fuss.
During the "gay power" riots at the Stonewall last Friday night I found myself on what seemed to me the wrong side of the blue line. Very scary. Very enlightening.
I had struck up a spontaneous relationship with Deputy Inspector Pine, who had marshalled the raid, and was following him closely, listening to all the little dialogues and plans and police inflections. Things were already pretty tense: the gay customers freshly ejected from their hangout, prancing high and jubilant in the street, had been joined by quantities of Friday night tourists hawking around for Village-type excitement. The cops had considerable trouble arresting the few people they wanted to take in for further questioning. A strange mood was in the crowd -- I noticed the full moon. Loud defiances mixed with skittish hilarity made for a more dangerous stage of protest; they were feeling their impunity. This kind of crowd freaks easily.
The turning point came when the police had difficulty keeping a dyke in a patrol car. Three times she slid out and tried to walk away. The last time a cop bodily heaved her in. The crowd shrieked, "Police brutality!" "Pigs!" A few coins sailed through the air. I covered my face. Pine ordered the three cars and paddy wagon to leave with the prisoners before the crowd became more of a mob. "Hurry back," he added, realizing he and his force of eight detectives, two of them women, would be easily overwhelmed if the temper broker. "Just drop them at the Sixth Precinct and hurry back."
The sirened caravan pushed through the gauntlet, pummeled and buffeted until it managed to escape. "Pigs!" "Gaggot cops!" Pennies and dimes flew. I stood against the door. The detectives held at most a 10-foot clearing. Escalate to nickels and quarters. A bottle. Another bottle. Pine says, "Let's get inside. Lock ourselves inside, it's safer."
"You want to come in?" he asks me. "You're probably safer," with a paternal tone. Two flashes: if they go in and I stay out, will the mob know that the blue plastic thing hanging from my shirt is a press card, or by now will they assume I'm a cop too? On the other hand, it might be interesting to be locked in with a few cops, just rapping and reviewing how they work.
In goes me. We bolt the heavy door. The front of the Stonewall is mostly brick except for the windows, which are boarded within by plywood. Inside we hear the shattering of windows, followed by what we imagine to be bricks pounding on the door, voices yelling. The floor shudders at each blow. "Aren't you guys scared?" I say.
"No." But they look at least uneasy.
The door crashes open, beer cans and bottles hurl in. Pine and his troop rush to shut it. At that point the only uniformed cop among them gets hit with something under his eye. He hollers, and his hand comes away scarlet. It looks a lot more serious than it really is. They are all suddenly furious. Three run out in front to see if they can scare the mob from the door. A hail of coins. A beer can glances off Deputy Inspector Smyth's head.
Pine, a man of about 40 and smallish build, gathers himself, leaps out into the melee, and grabs someone around the waist, pulling him downward and back into the doorway. They fall. Pine regains hold and drags the elected protester inside by the hair. The door slams again. Angry cops converge on the guy, releasing their anger on this sample from the mob. Pine is saying, "I saw him throwing somethin," and the guy unfortunately is giving some sass, snidely admits to throwing "only a few coins." The cop who was cut is incensed, yells something like, "So you're the one who hit me!" And while the other cops help, he slaps the prisoner five or six times very hard and finishes with a punch to the mouth. They handcuff the guy as he almost passes out. "All right," Pine announces, "we book him for assault." The door is smashed open again. More objects are thrown in. The detectives locate a fire hose, the idea being to ward off the madding crowd until reinforcements arrive. They can't see where to aim it, wedging the hose in a crack in the door. It sends out a weak stream. We all start to slip on water and Pine says to stop.