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NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
THE FRONT
The Dangerous Politics Behind NYC’s Lifeguard Shortage
By Ruthie Kornblatt-Stier
Path 2
NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
ART ARCHIVES
Money and Art Marry: The Scull Auction at Sothebys
By Alexander Cockburn
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
Path 2
VOICE CHOICE
An ‘Infinite Staircase’ of World Premieres in Williamsburg
By Ben Gambuzza
ART
Art at the Borders of East and West – and War
By R.C. Baker
BOOKS
Dancers and Dance Writers Tell It Like It Was, Is, and Will Be
By Elizabeth Zimmer
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Combined Shape
VVLOGO_NEWBLUE
Dacey Orr
MUSIC ARCHIVES
What’s in a Name? For Anderson East, It’s His Meteoric Musical Rise
by
Dacey Orr
February 11, 2016
MUSIC ARCHIVES
Farewell, FarmBorough: What We Can Learn From Country Music Festival Failures
by
Dacey Orr
February 10, 2016
MUSIC ARCHIVES
Lianne La Havas Found Her ‘Own Personal Rhythm’ in the Beats of Her ‘Blood’
by
Dacey Orr
February 4, 2016
MUSIC ARCHIVES
The Underdog Wore Cowboy Boots: How Country Saved Itself From Stereotypes in 2015
by
Dacey Orr
January 12, 2016
MUSIC ARCHIVES
Bobby Long Takes His Simple Songwriting Cues From Hemingway and Camus
by
Dacey Orr
January 7, 2016
MUSIC ARCHIVES
Big Grams: Big Boi & Phantogram Are ‘Scientists Trying to Discover That New Sound’
by
Dacey Orr
December 21, 2015
MUSIC ARCHIVES
Brothers Osborne Sing ‘Real Songs About Real Shit’
by
Dacey Orr
December 18, 2015
MUSIC ARCHIVES
Holly Miranda: ‘I Feel Like You Should Always Run Towards the Roar’
by
Dacey Orr
December 16, 2015
MUSIC ARCHIVES
It Only Took Five Songs for Maren Morris to Change Country’s Game
by
Dacey Orr
December 1, 2015
MUSIC ARCHIVES
Glen Hansard: ‘Sing Your Song Like Someone Else Wrote It’
by
Dacey Orr
November 30, 2015
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