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Siddhant Adlakha

FILM ARCHIVES

Five Films to Watch at This Year’s Japan Cuts Festival

Social-media thriller “Amiko” and meditative doc “Toward a Common Tenderness” are among the titles grappling with the country’s shifting zeitgeist

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FILM ARCHIVES

“Avengers: Infinity War” Debrief: How the Marvel Epic Challenged Its Heroes’ Commitment to Sacrifice

Can the Marvel Cinematic Universe regain its lost stakes in 2019?

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FILM ARCHIVES

A Closer Look at the New York Indian Film Festival, the City’s Underexposed Cultural Handshake

‘When I came to New York, it didn’t matter whether I went to a museum or an art gallery or the opera or a film. There were no South Asians anywhere,’ says festival founder Aroon Shivdasani

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TV ARCHIVES

“Jessica Jones” Season Two Boils Down the Superhero Formula to Personal Terms

In these thirteen episodes, the boozed-up P.I.'s main adversaries are the forces doing battle within herself

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FILM ARCHIVES

Another Look at “The Work,” One of 2017’s Essential Documentaries

Set among four days of group therapy sessions at California’s Folsom State Prison, the movie displays the soul-baring labor of introspection

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FILM ARCHIVES

In “Black Panther,” American Dreams and American Nightmares Clash

“In effect, the Wakandan Kingdom is caught between two bleak visions of America: walling itself off, or potentially imposing on other nations”

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FILM ARCHIVES

“Padmaavat,” an Indian Masterpiece Held Hostage, Sees the Light of Day

Director Sanjay Leela Bhansali's historical epic was met with outrage by conservative groups, who tried — and failed — to stifle the film's release

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FILM ARCHIVES

The Ramifications of Saudi Cinemas Opening Their Doors

The kingdom’s creatives and filmmakers open up about the historic lifting of the movie theater ban

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FILM ARCHIVES

“Thor: Ragnarok”: Marvel From a Postcolonial Perspective

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