By 1969, painting for painting’s sake was far from revelatory, and there is precious little abstract dynamism or formal innovation to be found in Baselitz’s work
Bundy's strange performative psychopathy was a kind of a complex acting job all its own, devious and untrustworthy but always played in the key of Watch Me.
"We are vacationing in Indiestan, the canton within Filmmakingland where you go to see the struggle, the hope, the measured ambitions, the hearts on the sleeves."
