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Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
By Bilge Ebiri
The Harpy
Credulity and Barbarity in the Age of Trump
By Talia Lavin
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Why Do Some Parts of New York Have So Many Subways While Others Have None?
By Josh Fruhlinger
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Old-World Fressin’ at 2nd Floor Bar & Essen
By Zachary Feldman
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Bushwick Residents March to Block New DeKalb Monolith
By Jake Bittle
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The Bronx Is Blooming, but for Whom?
By Joshunda Sanders
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Cannes
Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
By Bilge Ebiri
“2001: A Space Odyssey” and the Limits of Vision
By Bilge Ebiri
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Much More Than a GIF, in “Upgrade,” Betty Gabriel Is Ready to Work
By April Wolfe
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Robin Wright, as Robin Wright, Seizes a Mad Future in The Congress
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Amy Nicholson
September 3, 2014
Film
Cougars and Hunks Frolic in Self-Serious Adore
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John Oursler
September 4, 2013
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Do the Wright Thing
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Michael Atkinson
February 21, 2006
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Rob Brezsny
September 20, 2005
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Message in a Bottle
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Jessica Winter
February 16, 1999
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