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Clocking Into Dennis Oppenheim's 'Thought Collision Factories'

In 1982, one of the rambling constructions of galvanized ducts, tracks, and conveyor belts that Dennis Oppenheim called "thought collision factories" went berserk. Like his other psycho-mechanistic pyrotechnical works of those years, Launching Structure #2 was an incendiary device, with fireworks lashed to its looping parts. This particularly manic and wildly un-minimal contraption more than lived up to its potential menace. During the opening at a Soho gallery, the fireworks were ignited and got out of control. Panic ensued. Fire trucks arrived.

Oppenheim's thought factories, though they looked like maniacal furnaces, were metaphors for mental processes. Like Vito Acconci's equally eccentric constructions of those years, the factory projects materialized the ephemeral and unpredictable workings of creativity. They weren't just visionary plans; most were built and shown. And then they sank into oblivion.

Two shows now revive these forgotten works from the days when Oppenheim's art gave off real sparks. And you've got to wonder: Did anyone at the time realize the power of his combustive contraptions, or were they just too extreme? Who could guess that in hindsight they'd be way stations on a trajectory that ricochets from Duchamp's Chocolate Grinder to Tinguely's imploding machine to Cai Guo-Qiang's fireworks? "Armatures for Projection—The Early Factory Projects," at White Box (525 West 26th Street, through February 14), has drawings, photos, video documentation, and one factory structure, Object With a Memory. Like an expanded doppelgänger, "Vehicles for Projection: Factory Projects From the Early Eighties," at Kenny Schachter ROVE (132 Perry Street, through February 29), offers similar evidence of different projects, plus hand-tinted blueprints and the more elaborate Impulse Reactor, which the artist once called a "nuclear power plant of the mind." Time has worked wonders on these radical incendiary works. Just don't set them off.

 
  • Conrad Skinner 01/24/2011 7:38:00 PM

    I had a major role in helping Dennis build the Armature for Projection, which created a "firestorm" in the Bonlow Gallery . We had no idea the performance was going to be so violent. About 40 invited guests gathered around the gallery walls. When the fireworks, including rockets and magnesium flares, ignited they filled the room with smoke in seconds. Some people escaped, others hid in the office and in the basement where Keith Haring had a show. People, unable to see, crawled out on their hands and knees. When the firemen arrived, they entered with oxygen bottles, broke the skylight at the back and set up a hose blasting water out the front door to suck out the smoke into the street. When the air was clear, one could see rockets embedded in the walls and glass from the piece shattered on the floor - not to mention the litter of fireworks casings. Dennis was nowhere to be seen, having retreated to the Spring Street Bar. The gallery management, "nice", wealthy Swedes were at once bewildered and furious. A friend I'd invited had no sense of humor about it at all and inveighed on me never to get him into such a threatening situation again. Like a good employee, I started to pick up the pieces. I believe Kim wrote a review in New York Magazine.

 

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