BlackBook Explores a ‘Woman’s Right to Pleasure’

Leading by example to make the case for equality in the libido.

Nan Goldin's 'Nan and Brian in Bed, NYC, 1983.'
Courtesy of BlackBook Presents and Sotheby’s

Courtesy of BlackBook Presents and Sotheby’s

Before it inspired an exhibition currently on view at Sotheby’s in Beverly Hills, A Woman’s Right to Pleasure was a best-selling art tome from BlackBook featuring some 80 artists and contributions from a host of writers. In her review of current the show, award-winning art critic Shana Nys Dambrot focuses on the “Mystical, delicate, ethereal; bold, brash, satisfied; abstract, symbolic, organic; seductive, whimsical, dangerous; empowering, funny, unsettling; intergenerational, inclusive, intimate; erotic, personal and political” works on view in the flesh at the gallery and also online.

Nys Dambrot points out that both the original publication and the show feature a “remarkably eclectic array of art [including] explicit work that deals with the reality of women’s bodies (Marilyn Minter, Cecily Brown); abstract work that explores the fractal visual source code of everything (Louise Bourgeois, Loie Hollowell, Georgia O’Keefe); witty and romantic work (Jessie Mackison, Emily Marie Miller); surrealist (Leonor Fini, Katherina Olschbaur) and diaristic (Nan Goldin) work; and work by several artists with no fucks left to give and a flair for the dramatic (Tracey Emin, Penny Slinger, Mary Beth Edelson).”

Click here for Nys Dambrot’s full review, a selection of images, and links to the online exhibition. –VV editors

 

 

 

 

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