The performance has now reached 21 years into the future to be recreated in a technology-assisted homage and reboot that pushes those same interdisciplinary boundaries even further

Traylor started to draw and paint when he was already in his 80s, literally on the bustling Montgomery sidewalk

"Nature supports me with feeling connected to myself, my history, and everything around me.”

“We never intended to be on the front lines and essential workers in the middle of a global pandemic and in the eye of the storm."

The director makes inspired use of the late artist’s own extensive video and audio, photography, ephemera, and journals

“Photographs are inherently subjective in the ways in which they are made and perceived. There is no absolute truth in the photographic image."

"In almost every case, these artists worked all but unsung, separate from their white colleagues and editors."

The film deals with subjects ranging from his eternal desire to “visualize infinity,” to his consternation at the popularity of his images among drug-addled hippies