Aubrey Plaza is calm, cool, unfazed, and tough enough to be the next Bond.

A look back on a pungent time, the film isn’t afraid to poke fun at cultural stereotypes.

The game is one for the ages, but the same can’t be said for the ageist gags that make up most of the runtime.

If these issues are gonna get played for laughs, the call-outs better hit or at least make us think.

The situation is far from realistic, but the emotions are surprisingly grounded.

This latest iteration of the genre feels like Clue on cocaine or Agatha Christie on Adderall.

It’s not the first time Cameron has taken us to another planet (see: 'Aliens'), but it’s one of the few times his dialogue hasn’t sunk the ship, (see: 'Titanic').

Writer-director Luca Guadagnino gets under the skin of his characters and shows us what makes them tick.

Filmmaker James Gray avoids a rosy portrait of youth in favor of naturalistic observation.

Director Henry Selick takes viewers on a roller coaster ride through the fiery pits of hell.