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The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

VOICE CHOICE

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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Danny King

FILM ARCHIVES

Claire Denis Beguiles Again in the Piercing “Let the Sunshine In”

by Danny King

April 24, 2018

FILM ARCHIVES

Carl Franklin Revisits His Great “One False Move” and Laments the Absence of Dramas From Today’s Hollywood

by Danny King

April 20, 2018

FILM ARCHIVES

Aaron Katz Takes Los Angeles With Transfixing Noir “Gemini”

by Danny King

March 30, 2018

FILM ARCHIVES

Theodore Witcher Talks “Love Jones,” 21 Years Later — and Why He Hasn’t Made a Follow-Up

by Danny King

February 12, 2018

FILM ARCHIVES

With “Golden Exits,” Alex Ross Perry Has Crafted an Intimate Brooklyn Epic

by Danny King

February 8, 2018

FILM ARCHIVES

In Poland’s “The Last Family,” an Artist’s Clan Unravels Over Decades

by Danny King

January 26, 2018

FILM ARCHIVES

For Better or Worse, “Den of Thieves” Gives Gerard Butler 140 Minutes to Ham It Up

by Danny King

January 19, 2018

FILM ARCHIVES

A Country Star Learns What Really Matters in the Too-Obvious “Forever My Girl”

by Danny King

January 17, 2018

FILM ARCHIVES

Jaume Collet-Serra and Liam Neeson’s “The Commuter” Is Anything but Routine

by Danny King

January 10, 2018

FILM ARCHIVES

The Pulp Thrills of “Stratton” Get Lost in Stock Characters and Rote Scenarios

by Danny King

January 3, 2018

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