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Michael Nordine

FILM ARCHIVES

Gross-Out Goof ‘The Greasy Strangler’ Dares You to Hate It

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FILM ARCHIVES

‘The Girl on the Train’ Offers Steady Suspense, but Where Does It Get You?

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FILM ARCHIVES

Toronto Film Festival: Conjoined-Twin Drama ‘Indivisible’ Is More Than the Sum of Its Parts

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FILM ARCHIVES

The New ‘Blair Witch’: At Least the Consumer-Grade Cameras Have Improved

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FILM ARCHIVES

Toronto Film Festival: Terrence Malick Reveals the Majesty of Creation

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FILM ARCHIVES

Toronto Film Festival: Superstar Fan Bingbing Fights for Her Honor in I Am Not Madame Bovary

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FILM ARCHIVES

Demon’s Artful Horror Digs Into Poland’s Past — and Slowly Overwhelms

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FILM ARCHIVES

Natasha Lyonne’s Character Just Wants to Get High and Forget the Body Horror of ‘Antibirth’

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FILM ARCHIVES

Bread and Circus: Ben-Hur Is Nothing New, but It Puts on a Decent Show

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FILM ARCHIVES

Everyone’s Nice Talking Up Richard Linklater in the New Doc ‘Dream Is Destiny’

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