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  • Path 2

    • News
      When Work is a ‘Crime Against Humanity’
      By Ruthie Kornblatt-Stier
    • Voice Comix
      Sutton on Santos, a Real Stand-Up Guy
      By Ward Sutton
    • THE FRONT ARCHIVES
      Attorneys at War
      By Peter Noel
  • Path 2

    • JOCKBEAT
      ‘Macho Camacho’ Always Went His Own Way – Now You Can Too
      By Thomas Gerbasi
    • News
      When Work is a ‘Crime Against Humanity’
      By Ruthie Kornblatt-Stier
    • THE FRONT ARCHIVES
      Attorneys at War
      By Peter Noel
  • Path 2

    • FILM
      Return to Oz: Going Up David Lynch’s Butt With Movies About Movies
      By Michael Atkinson
    • FILM
      Critical, Darling: On Nicole Holofcener and ‘You Hurt My Feelings’
      By Annie Berke
    • FILM
      ‘The Machine’ Celebrates the Bloated Beer Bellies of Viral-Quasi-Celebrity-Land
      By Michael Atkinson
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  • VOICE OF THE AGES
    Remembering Michael Feingold and the Heat-Seeking Missiles of His Theater Criticism
    The longtime Voice critic was erudite, witty, biting, and committed to informing readers about all things—good or bad—on the boards.
    by The Village Voice
    November 22, 2022
  • Dance Archives
    Farewell to Fosse
    “In Fosseville the gaudiest dreams existed side by side with the most vicious betrayals; everything was real but nothing was true”
    by Pete Hamill
    Originally published November 3, 1987
  • Theater archives
    Genet, Mailer, & the New Paternalism
    “The new paternalists really think, it seems, that their utterances of the oldest racial cliches are, somehow, a demonstration of their liberation from the hanky-panky of liberalism and God knows what else”
    by Lorraine Hansberry
    Originally published June 1, 1961
  • Theater archives
    Norman Mailer on Jean Genet’s “The Blacks”
    “The play entertains the forbidden nightmare of the liberal: what, dear Lord, if the reactionary is correct, and people are horrible. Yet, with the same breath, it is revolutionary”
    by Norman Mailer
    June 30, 2020
  • From The Archives
    Václav Havel: The New King of Absurdistan
    “It is a party, and Václav is The Good King: relaxed, smothered in kisses and well-wishes ... the only president in living history who, in one breath, can quote John Lennon, Samuel Beckett, and Immanuel Kant”
    by Vít Horejs & Bonnie Stein
    June 7, 2020
  • Theater archives
    Joe Papp Crowns Himself 
    He commands the most imposing force in theatre, uniting playwrights and philanthropists. Does he run like Henry V or Sammy Glick?
    by Geoffrey Stokes
    Originally published July 12, 1976
  • Neighborhoods
    Chinatown ’89: Outside Looking In
    Ping Chong is a Chinese-American theater and performance artist who grew up and still lives in Manhattan’s Chinatown.
    by Luis H. Francia
    Originally published October 31, 1989
  • From The Archives
    Candy Darling, Where Were You the Night Jean Harlow Died?
    “The supreme package, blonde, glit­tering, gilded, beautiful beyond belief, high priestess, eternal virgin on the brink of rape, queen of films, queen of the universe, the last laugh at them all.”
    by Arthur Bell
    Originally published May 18, 1972
  • Lives
    ‘Let’s Get a Rip Torn Type’
    Fifty years ago the Voice profiled the legendary actor, who died July 9, at the age of 88
    by Michael Zwerin
    July 10, 2019
  • CULTURAL COMMERCE ARCHIVES
    Taking the Stage with Alfred E. Neuman
    A look back to when Mad magazine's black and white pages came to life on a New York stage
    by R.C. Baker
    July 10, 2019

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