Al Pacino

PRIDE ARCHIVES

Stonewall 1979: Gays in Hollywood

"The gay audience has been courted by almost every medium, even when it has not been openly acknowledged...But at the movies, very little has changed."

by Vito Russo

June 5, 2019

FILM ARCHIVES

Al Pacino, Truth-Seeker

In some of his greatest roles, the actor searched for meaning — and, in that search, often poignantly lost himself

by Nicholas Forster

March 23, 2018

FILM ARCHIVES

Making Sense of “Cruising”

With William Friedkin’s long-controversial thriller screening this week at the Quad, we look back at its turbulent legacy

by Jason Bailey

March 21, 2018

FILM ARCHIVES

Al Pacino on His Career, Working With Scorsese, and That Time He Discovered Jessica Chastain

“I see myself kind of like a tenor. And a tenor needs to hit those high notes once in a while.”

by Bilge Ebiri

March 14, 2018

TV ARCHIVES

New York Plays Itself: Touring the City’s Celluloid History

by Molly Fitzpatrick

January 30, 2018

NEWS & POLITICS ARCHIVES

The True, Fascinating Story Behind the Events of “Dog Day Afternoon”

The Village Voice was right there as three men tried to rob a Brooklyn bank on August 22, 1972

by Bilge Ebiri

July 11, 2017

NEWS & POLITICS ARCHIVES

Read Frank Serpico’s Blistering 1975 Letter to the Village Voice

After the release of the hit film about his life, the hero cop who exposed corruption in the ranks sent a letter to his hometown paper

by Bilge Ebiri

July 6, 2017

Stonewall 1979: Gays in Hollywood

"The gay audience has been courted by almost every medium, even when it has not been openly acknowledged...But at the movies, very little has changed."

Al Pacino, Truth-Seeker

In some of his greatest roles, the actor searched for meaning — and, in that search, often poignantly lost himself

Making Sense of “Cruising”

With William Friedkin’s long-controversial thriller screening this week at the Quad, we look back at its turbulent legacy

Al Pacino on His Career, Working With Scorsese, and That Time He Discovered Jessica Chastain

“I see myself kind of like a tenor. And a tenor needs to hit those high notes once in a while.”

New York Plays Itself: Touring the City’s Celluloid History

The True, Fascinating Story Behind the Events of “Dog Day Afternoon”

The Village Voice was right there as three men tried to rob a Brooklyn bank on August 22, 1972

Read Frank Serpico’s Blistering 1975 Letter to the Village Voice

After the release of the hit film about his life, the hero cop who exposed corruption in the ranks sent a letter to his hometown paper

The Essence of “Heat”: A Look into the Soul of Michael Mann’s Epic Crime Drama

Crime in Counterpoint: Michael Mann on his Restored Masterpiece “Heat”

Horror Anthology Locker 13 Brings the Hurt, and Not In a Good Way

Al Pacino

"The gay audience has been courted by almost every medium, even when it has not been openly acknowl­edged...But at the movies, very little has changed."

In some of his greatest roles, the actor searched for meaning — and, in that search, often poignantly lost himself

With William Friedkin’s long-controversial thriller screening this week at the Quad, we look back at its turbulent legacy

“I see myself kind of like a tenor. And a tenor needs to hit those high notes once in a while.”

The Village Voice was right there as three men tried to rob a Brooklyn bank on August 22, 1972

After the release of the hit film about his life, the hero cop who exposed corruption in the ranks sent a letter to his hometown paper

"The gay audience has been courted by almost every medium, even when it has not been openly acknowledged...But at the movies, very little has changed."