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Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

Well-read.

History Bites

IBOGAINE! It’s Back! Just in Time for Doomsday! 

by R.C. Baker

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

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Art Reviews

ART ARCHIVES

Q&A: Patrick Gookin Talks LA Cellphone Street Photography

by Alana Mohamed

March 31, 2017

Equality

How The Whitney Houston Biennial Help To Push Feminist Art Forward

by Anni Irish

March 24, 2017

ART ARCHIVES

Digging Deep Into New York City’s Rich Tattoo History

by Anni Irish

March 21, 2017

ART ARCHIVES

Joan Mellon Flies High at Carter Burden Gallery

by R.C. Baker

March 16, 2017

ART ARCHIVES

Stained Glass, Rotting Bologna, And Rebellion At The Whitney’s First Downtown Biennial

by Scott Lynch

March 13, 2017

ART ARCHIVES

Explore Food and the Immigrant Experience, Just in Time for Chinese New Year

by Kelly Chan

January 27, 2017

Theater archives

City Opera’s ‘Candide’ Is A Charming, Raucous Return To Form

by Joseph Cermatori

January 9, 2017

Theater archives

Daniel Kitson’s ‘Mouse’ Is a Sticky, Entertaining Trap

by Joseph Cermatori

November 23, 2016

ART ARCHIVES

Flirtatious Pink, Not Revolutionary Red, Is Xu Zhen’s Color

by Mary Wang

October 5, 2016

ART ARCHIVES

Doris Salcedo’s Guggenheim Retrospective Is a Poke in the Eye With a Sharp Stick (in a Good Way)

by Jessica Dawson

August 4, 2015

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