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History Bites

IBOGAINE! It’s Back! Just in Time for Doomsday! 

by R.C. Baker

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

VOICE CHOICE

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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Cannes Film Festival

FILM ARCHIVES

Cannes Diary, 1994: Riviera of No Return

“One crit­ic calls Tarantino a fascist direc­tor, but even he seemed to enjoy the movie. I call Tarantino a mas­ter of Inventive Violence.”

by Georgia Brown

May 16, 2019

Cannes

The 14 Best Movies at the 2018 Cannes Film Festival

by Bilge Ebiri

May 30, 2018

Cannes

A Tale of Many Godards

At Cannes, different versions of Jean-Luc Godard were everywhere

by Bilge Ebiri

May 24, 2018

Cannes

“The Wild Pear Tree”: Nuri Bilge Ceylan Gets Personal

by Bilge Ebiri

May 21, 2018

Cannes

Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness

by Bilge Ebiri

May 19, 2018

“2001: A Space Odyssey” and the Limits of Vision

by Bilge Ebiri

May 19, 2018

Cannes

Sex, Obsession, and Class in “Under the Silver Lake” and “Burning”

by Bilge Ebiri

May 17, 2018

Cannes

Deconstructing Lars: “The House That Jack Built” Is an Empty Apologia From Von Trier

by Bilge Ebiri

May 15, 2018

Cannes

Spike Lee’s “BlacKkKlansman” Seizes the Moment (and the American Past)

by Bilge Ebiri

May 15, 2018

Cannes

Music, Madness, and Memory at Cannes, Part Two: “Cold War,” “Sorry Angel,” and the Mysteries of Love

by Bilge Ebiri

May 14, 2018

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