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NEWS & POLITICS ARCHIVES
Mugging the White Liberal
By Jack Newfield
War In Ukraine
One Year of War: In Conversation with Ukrainians Standing Fast
By Anna Conkling
ART ARCHIVES
Beyoncé and Jay-Z Work It Out in the Louvre
By R.C. Baker
Path 2
NEWS & POLITICS ARCHIVES
Mugging the White Liberal
By Jack Newfield
CULTURE
‘Creed: The Musical’: Not an Unserious Production by Unserious People
By Will McDonald
ART
Waiting for the Nighthawks – Edward Hopper and the Denizens of New York
By R.C. Baker
Path 2
VOICE CHOICE
Tod Browning: Auteur of the Shadowlands
By Michael Atkinson
BOOKS
Barbara Browning’s ‘The Miniaturists’ Contains Tiny Multitudes
By Rhoda Feng
FILM
Knockout: Michael B. Jordan Steps Into the Ring as Director and Star of Creed III
By Lina Lecaro
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Cannes Film Festival
FILM ARCHIVES
Cannes Diary, 1994: Riviera of No Return
“One critic calls Tarantino a fascist director, but even he seemed to enjoy the movie. I call Tarantino a master of Inventive Violence.”
by
Georgia Brown
May 16, 2019
Cannes
The 14 Best Movies at the 2018 Cannes Film Festival
by
Bilge Ebiri
May 30, 2018
Cannes
A Tale of Many Godards
At Cannes, different versions of Jean-Luc Godard were everywhere
by
Bilge Ebiri
May 24, 2018
Cannes
“The Wild Pear Tree”: Nuri Bilge Ceylan Gets Personal
by
Bilge Ebiri
May 21, 2018
Cannes
Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
by
Bilge Ebiri
May 19, 2018
“2001: A Space Odyssey” and the Limits of Vision
by
Bilge Ebiri
May 19, 2018
Cannes
Sex, Obsession, and Class in “Under the Silver Lake” and “Burning”
by
Bilge Ebiri
May 17, 2018
Cannes
Deconstructing Lars: “The House That Jack Built” Is an Empty Apologia From Von Trier
by
Bilge Ebiri
May 15, 2018
Cannes
Spike Lee’s “BlacKkKlansman” Seizes the Moment (and the American Past)
by
Bilge Ebiri
May 15, 2018
Cannes
Music, Madness, and Memory at Cannes, Part Two: “Cold War,” “Sorry Angel,” and the Mysteries of Love
by
Bilge Ebiri
May 14, 2018
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