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A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

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Cannes Film Festival

FILM ARCHIVES

Cannes Diary, 1994: Riviera of No Return

“One crit­ic calls Tarantino a fascist direc­tor, but even he seemed to enjoy the movie. I call Tarantino a mas­ter of Inventive Violence.”

by Georgia Brown

May 16, 2019

Cannes

The 14 Best Movies at the 2018 Cannes Film Festival

by Bilge Ebiri

May 30, 2018

Cannes

A Tale of Many Godards

At Cannes, different versions of Jean-Luc Godard were everywhere

by Bilge Ebiri

May 24, 2018

Cannes

“The Wild Pear Tree”: Nuri Bilge Ceylan Gets Personal

by Bilge Ebiri

May 21, 2018

Cannes

Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness

by Bilge Ebiri

May 19, 2018

“2001: A Space Odyssey” and the Limits of Vision

by Bilge Ebiri

May 19, 2018

Cannes

Sex, Obsession, and Class in “Under the Silver Lake” and “Burning”

by Bilge Ebiri

May 17, 2018

Cannes

Deconstructing Lars: “The House That Jack Built” Is an Empty Apologia From Von Trier

by Bilge Ebiri

May 15, 2018

Cannes

Spike Lee’s “BlacKkKlansman” Seizes the Moment (and the American Past)

by Bilge Ebiri

May 15, 2018

Cannes

Music, Madness, and Memory at Cannes, Part Two: “Cold War,” “Sorry Angel,” and the Mysteries of Love

by Bilge Ebiri

May 14, 2018

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