Film

Your Eyes Might Never Be the Same After Seeing “Mary and the Witch’s Flower”

Watch this movie high at your own risk

January 18, 2018

One of the Greatest Films Ever Made Is Back on the Big Screen

Tomás Gutiérrez Alea’s “Memories of Underdevelopment” is as essential as cinema gets

January 12, 2018

Revel in the Beauty of Max Ophuls’s Tragic Romances

A week of the saddest, most sublime films ever made comes to the Metrograph

January 5, 2018

“In Between” Intimately Studies the Friendship of Palestinian Women in Tel Aviv

Director Maysaloun Hamoud proves herself to be a talent to watch

January 4, 2018

Honoring Molly Haskell: A Critics’ Duet on “Nashville”

“A Chaucerian musical pilgrimage whose Canterbury is Nashville”

by Andrew Sarris and Molly Haskell

January 4, 2018

Honoring Molly Haskell: A 1976 Review of “Gator” and Star Burt Reynolds

Like a ‘gosh darn!’ in a chorus of ‘motherfucker!’s

by Molly Haskell

January 2, 2018

‘I Will Get Attacked for It, But F*ck That’: Fatih Akin on “In the Fade,” Diane Kruger, and Neo-Nazis

The Turkish-German director talks about his acclaimed and divisive new film

January 2, 2018

The 17 Most Overlooked Performances of 2017

In a just world, these would be serious awards contenders

December 27, 2017

‘As Far As I’m Concerned, I’m Playing the Good Guy’: An Interview With Wes Studi

The “Hostiles” star on his new western, the depiction of Native Americans on film, and his lifelong activism

December 26, 2017

“In the Fade” Dares to Flip Expectations About Terrorism

German-Turkish director Fatih Akin’s latest is a family tragedy, courtroom drama, and revenge thriller all rolled into one — with a slyly subversive ending

December 22, 2017