Martin Scorsese

“No doubt I’ll always be interested in underworld sto­ries. But no cutesy films about mama’s pas­ta and people getting married. I can’t stand that.”

Originally published:

"We went in thinking, we'll document the Band's last concert and maybe we'll get something, maybe we won't. Then when the footage came back I just said, 'Wow. This is fantastic. We've got a movie.’ ” 

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"Televisions blare from every room in the Chateau Marmont. Reagan's in surgery... Jim Brady's near death... Dan Rather's in tears. The coun­try's gone crazy. The world's about to col­lapse... And the Oscars have been postponed until tomorrow."

“Watching the filming, one wonders how many potential ‘taxi drivers’ stalk the city streets. Where does life begin and Central Casting end?”

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“I like the idea of spurting blood. It's like a, God, it's really like a purification, you know, the fountains of blood. It's a personal thing”

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In 1982, Terrence Rafferty spoke to Martin Scorsese’s longtime editor about the art of the cutting room.

Part two of the Museum of Modern Art’s retrospective of this on-the-cheap studio unleashes a fresh arsenal of little-seen discoveries

“I see myself kind of like a tenor. And a tenor needs to hit those high notes once in a while.”

The Museum of Modern Art's two-part series attests to Republic's legacy of cost-effective genre allure