In 1982, Terrence Rafferty spoke to Martin Scorsese’s longtime editor about the art of the cutting room.

Part two of the Museum of Modern Art’s retrospective of this on-the-cheap studio unleashes a fresh arsenal of little-seen discoveries

“I see myself kind of like a tenor. And a tenor needs to hit those high notes once in a while.”

The Museum of Modern Art's two-part series attests to Republic's legacy of cost-effective genre allure

Here‘s Arthur Bell‘s classic account of the making of a masterpiece