Self-induelgent horse shit. How much time did you douchebags spend tweaking your comments in hopes of making the cut? And, as if that weren't enough, had to post that you did? Noonefuckingcares.
By Seth Colter Walls
By Brett Koshkin
By Spencer Wilking
By Christina Black
By Calum Marsh
By J. Pablo
By Phillip Mlynar
By Jenna Sauers
2010: The year more people looked at a photo of Kanye Wests purported penis than bought his album. Or any album. #HashtagDays
Kanye Wests Saturday Night Live appearancesurrounded by dozens of half-dressed figures, many of whom I suspect were actual women with, like, lives and personalitieswas an allegory for his record as a critical phenomenon: The pretty sounds and garish pomp distracted the audience from the emptiness at its core. If you looked closely, you saw an insecure monomaniac, a mediocre rapper responsible for some of the worst lyrics in hip-hop, desperately seeking the approval of authority. A recognizable rock n roll type, to be sure. No less manufactured but more talented by a few orders of magnitude, Taylor Swift nailed her stage-crashing chart-mate in a triumph of passive aggression: Your string of lights are still bright to me. Just dont mistake them for evidence of habitation.
Hearing Nicki Minaj smoke everybody on Monster made me think that either Kanye is a true gentleman (despite evidence to the contrary), or hes longing for a woman who will kick his ass.
New Paltz, NY
Kanyes fundamental project has been to pitch a tantrum about the White Privilege thing that America has been successfully glossing over since the first Tea Party. Not even the bells and whistles of Power could obscure this: In this white mens world, we the ones thats chosen.
The critical success of My Beautiful Dark Twisted Fantasy proved that the intelligentsia prefers a Rewarding Mess from a trusted artist of quality (Kanye) than a Polished Artistic Statement from a prolific schemer (Diddy).
When I first heard Kanye Wests Runaway, I thought about the douchebags, but subsequent listens, for me, revealed one of the saddest songs of 2010, sadder than any emotion Taylor Swift tries to drum upor really anyone else. Emotions still win.
New York, NY
I almost feel bad for Pusha T on Runaway, basically drafted for the purpose of playing Kanyes monstrous id, one last glimpse of the type of womanizing cad-demon hes explicitly trying to exorcise. And just when you think its over, when the strings have swollen as high as they can rise, we hear the coda: three minutes of beautiful noise, with orchestral accents placed opposite a synthesizer solo that reveals itself, toward the end, to be just Kanyes voice run through an overloaded vocoder. He keeps on talking, but at some point, it just becomes noise. Runaway gives the listener some hope that Mr. West might actually begasp!growing up.
Single #1: Kanye West, All of the Lights. If you can hear him, Elton John sounds great on this.Jozen Cummings
Kanye West is the Don Draper of hip-hop: the arrogant, ostensible alpha-male sad sack who makes an ass out of himself at awards shows, then, like clockwork, pulls an ace out from his sleeve (Dons bravura pitch to the American Cancer Society, Kanye dropping My Beautiful Dark Twisted Fantasy) that instantly reminds us why we keep tuning in. The opening stretch of Mad Mens fourth season (lets say, preThe Suitcase) is rather like 808s & Heartbreak: lots of moping, soul-searching, and boozy stabs at self-actualization, prompted, naturally, by their complicated relationships with the myriad women in their lives. Then Don courts (and dumps) the too-good-for-him Faye, and Kanye embraces an inner douchebag hes through trying to disguise (as does Don, really, in the season finale). And to complete the analogy: Jay-Z = Roger Sterling, Nicki Minaj = Peggy Olsen, Rihanna/Fergie = Joan Harris, Pusha T = Pete Campbell, and Rick Ross = Bert Cooper.
Im sure that everybody voted for Fuck You, but I think the way you voted for it says a lot more. Which of these are you? Fuck You, F*** You, Forget You, or Forget You (Glee Cast)?
All I want for Christmas is for Drunk Girls to be banned from frat-party playlists.
Last January, I read Rachael Madduxs thoughtful, exhaustive Is Indie Dead? cover essay in Paste. In August, I saw Arcade Fire and Spoon at Madison Square Garden. It felt like a New Orleans jazz funeral. Rest in Peace, darling.
New Paltz, NY
When Arcade Fire take aim at the shopping malls (Sprawl II [Mountains Beyond Mountains]) while simultaneously mocking bohemian cool-hunting (Rococo), theyre engaging in a painfully trite contradiction: After all, what bohemian thinker in the past half-century has celebrated shopping malls? (Warhol, maybe?) And what has the bohemians instinctive distrust of commercialism done to commercialism except entrench it? (How many products have to be sold to us as embodying rebellion or nonconformity before we realize that our urge to rebel and not conform is how products are sold?) Its no big revelation to note that todays mainstream is yesterdays cutting edgeit doesnt matter whether we buy Converse or Nike or Vans or some currently small-time shoemaker with a Big Cartel website. Nirvana or Pavement, chillwave or slutwavesooner or later everyone else catches up, or else it probably wasnt worth catching up to in the first place.
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