The Netflix adaptation turns its back on the goth roots of the original material, but it does embrace its dark heart via its casting.

For this installment of Unbinged we turn to divorce (Loot), homicide (Only Murders in the Building), mayhem and monsters (What We Do in the Shadows) for laughs.

The story lacks the emotional insight and quippy language audiences have come to expect from the toon powerhouse.

Unbinged: Small screen geek cred heats up thanks to the sinister superheroes of ‘The Boys,’ the incredible animation of ‘Love, Death & Robots,’ and the odd outings of ‘Obi-Wan Kenobi.’

What starts off as normal Marvel fare quickly becomes a glorious hellscape fit for any sci-fi aficionado or Fangoria fan

The story structure is a bit of a mess, filled with plot holes, continuity gaps, and logistical issues

UnBinged delves into the subject of mental health—a once a taboo topic, best not discussed in either polite company or on primetime TV

This week UnBinged time travels with a trio of new period pieces pulling from history and bygone eras to create new narratives—from the Viking Age to the Gilded Age all the way to the modern Golden Age.

Pattinson as an inexperienced hero who is still in mourning for his parents, gives a surprisingly nuanced performance and a version of Batman most audiences haven’t seen before