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News & Politics
After Santa Fe Shooting, Have Conservatives Shot Their Wads?
By Roy Edroso
Cannes
Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness
By Bilge Ebiri
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Credulity and Barbarity in the Age of Trump
By Talia Lavin
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Old-World Fressin’ at 2nd Floor Bar & Essen
By Zachary Feldman
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Bushwick Residents March to Block New DeKalb Monolith
By Jake Bittle
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The Bronx Is Blooming, but for Whom?
By Joshunda Sanders
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Obies
Heartfelt and a Little Raucous, the Obies Are Still the Best Awards Show in Town
By Alexis Soloski
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“In Darkness” Loses Its Thriller Edge as Its Scope Expands
By April Wolfe
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The Obie Awards: Glimpses From the Red Carpet
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Jennifer Krasinski
Theater
Enda Walsh’s Revived “Disco Pigs” Channels a Shattering Masculinity
by
Jennifer Krasinski
January 23, 2018
Art
The Year in Art Was All in the Details
by
Jennifer Krasinski
December 14, 2017
Art
The Sensory Overload of Ken Tisa’s ‘The Color of Sound’
by
Jennifer Krasinski
December 5, 2017
Art
Under the Spell of Sculptor Kelly Akashi’s Eerie, Tactile Elegance
by
Jennifer Krasinski
November 24, 2017
Art
A Half-Century After Hitting the Art Scene, Sam Gilliam’s Legacy Blossoms
by
Jennifer Krasinski
November 15, 2017
Art
Freaks and Geeks: Revisiting the Legendary Club 57 at MOMA
by
Jennifer Krasinski
November 9, 2017
Art
When the West Coast Art Scene Got Serious
A new show at Alden Projects celebrates Ferus Gallery and the rise of a SoCal movement
by
Jennifer Krasinski
November 2, 2017
Art
What a New Show at the New Museum Gets Wrong About Gender
by
Jennifer Krasinski
October 23, 2017
Art
How Susan Cianciolo Spun Art Out of Fashion
by
Jennifer Krasinski
October 17, 2017
Art
Girl Squad: Vaginal Davis and Louise Nevelson on the Lower East Side
by
Jennifer Krasinski
September 29, 2017
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