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The Dumping of Pandemic Pets
By Raj Tawney
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Joy in Metville
By Charlie Vascellaro
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A Soldier’s Life: Conversations Inside Ukraine’s Defense Force
By Anna Conkling
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Ada Calhoun Explores Personal and Cultural History in ‘Also a Poet’
By Rafael Alvarez
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Joy in Metville
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Ghosts of NYPD Scandals: Was Detective Bill Phillips Framed by Corrupt Cops?
By T.J. English
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James Ponsoldt’s ‘Summering’ Stumbles Over a Corpse in the Woods
By Michael Atkinson
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Ada Calhoun Explores Personal and Cultural History in ‘Also a Poet’
By Rafael Alvarez
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King Vidor, Golden Age Hollywood’s Oddball Idealist
By Michael Atkinson
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Miriam Felton-Dansky
Theater archives
“Hunter John and Jane” Boasts Frights, Imagination, and, Uh, Squirrel Guts
by
Miriam Felton-Dansky
August 8, 2018
Theater archives
Colonial History and Family Melodrama Merge in “The House That Will Not Stand”
by
Miriam Felton-Dansky
July 31, 2018
Theater archives
Wallace Shawn’s Barbed “Marie and Bruce” Portrays a Marriage on the Rocks
by
Miriam Felton-Dansky
July 20, 2018
Theater archives
Jackie Sibblies Drury’s “Fairview” Asks Hard Questions About America’s Racial Divide
by
Miriam Felton-Dansky
June 25, 2018
Theater archives
“Everyone’s Fine With Virginia Woolf” Is an Amped-Up Riff on Edward Albee’s Original
by
Miriam Felton-Dansky
June 19, 2018
Theater archives
Disaster Reshapes Perception in Toshiki Okada’s “Time’s Journey Through a Room”
by
Miriam Felton-Dansky
June 1, 2018
Theater archives
Erin Markey’s Unpredictable “Singlet” Wrestles With the Erotics of Friendship
by
Miriam Felton-Dansky
May 30, 2018
Theater archives
The Vision of Societal Shake-Up in “Light Shining in Buckinghamshire” Still Rouses
by
Miriam Felton-Dansky
May 18, 2018
Obies
Kathleen Chalfant Reflects on the Courage and Serendipity of the Off-Broadway Community
The Obie Lifetime Achievement winner considers theater a ‘collaborative work’ that, at its best, can function as a ‘perfect model for society’
by
Miriam Felton-Dansky
May 16, 2018
Theater archives
Eliza Bent’s “Aloha, Aloha” Is a Funny, Cringe-Inducing Look at Cultural Appropriation
by
Miriam Felton-Dansky
April 13, 2018
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