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Miriam Felton-Dansky

Theater archives

“Hunter John and Jane” Boasts Frights, Imagination, and, Uh, Squirrel Guts

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Theater archives

Colonial History and Family Melodrama Merge in “The House That Will Not Stand”

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Theater archives

Wallace Shawn’s Barbed “Marie and Bruce” Portrays a Marriage on the Rocks

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Theater archives

Jackie Sibblies Drury’s “Fairview” Asks Hard Questions About America’s Racial Divide

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Theater archives

“Everyone’s Fine With Virginia Woolf” Is an Amped-Up Riff on Edward Albee’s Original

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Theater archives

Disaster Reshapes Perception in Toshiki Okada’s “Time’s Journey Through a Room”

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Theater archives

Erin Markey’s Unpredictable “Singlet” Wrestles With the Erotics of Friendship

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Theater archives

The Vision of Societal Shake-Up in “Light Shining in Buckinghamshire” Still Rouses

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Obies

Kathleen Chalfant Reflects on the Courage and Serendipity of the Off-Broadway Community

The Obie Lifetime Achievement winner considers theater a ‘collaborative work’ that, at its best, can function as a ‘perfect model for society’

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Theater archives

Eliza Bent’s “Aloha, Aloha” Is a Funny, Cringe-Inducing Look at Cultural Appropriation

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