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PRIDE
Gay Activist Jacob Jeffery Brings the Love to Deep Red Oklahoma
By Michael Musto
NEWS & POLITICS ARCHIVES
Mississippi: A March Resurrects a Movement
By Jack Newfield
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Developer Takes a Nosedive as Court Orders Foreclosure and Sale of Old P.S. 64 in the East Village
By Sarah Ferguson
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A Slice of New York in Ukraine
By Anna Conkling
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The Coming of King: A Charismatic Moment
By Marlene Nadle
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Developer Takes a Nosedive as Court Orders Foreclosure and Sale of Old P.S. 64 in the East Village
By Sarah Ferguson
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War In Ukraine
A Slice of New York in Ukraine
By Anna Conkling
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Review: ‘The Seven Faces of Jane’ Imagines Roads That Might Be Taken
By Michael Atkinson
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Say It Loud! Rev. Al Sharpton Talks New Documentary and Fight for Justice (Q&A)
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Miriam Felton-Dansky
Theater archives
“Hunter John and Jane” Boasts Frights, Imagination, and, Uh, Squirrel Guts
by
Miriam Felton-Dansky
August 8, 2018
Theater archives
Colonial History and Family Melodrama Merge in “The House That Will Not Stand”
by
Miriam Felton-Dansky
July 31, 2018
Theater archives
Wallace Shawn’s Barbed “Marie and Bruce” Portrays a Marriage on the Rocks
by
Miriam Felton-Dansky
July 20, 2018
Theater archives
Jackie Sibblies Drury’s “Fairview” Asks Hard Questions About America’s Racial Divide
by
Miriam Felton-Dansky
June 25, 2018
Theater archives
“Everyone’s Fine With Virginia Woolf” Is an Amped-Up Riff on Edward Albee’s Original
by
Miriam Felton-Dansky
June 19, 2018
Theater archives
Disaster Reshapes Perception in Toshiki Okada’s “Time’s Journey Through a Room”
by
Miriam Felton-Dansky
June 1, 2018
Theater archives
Erin Markey’s Unpredictable “Singlet” Wrestles With the Erotics of Friendship
by
Miriam Felton-Dansky
May 30, 2018
Theater archives
The Vision of Societal Shake-Up in “Light Shining in Buckinghamshire” Still Rouses
by
Miriam Felton-Dansky
May 18, 2018
Obies
Kathleen Chalfant Reflects on the Courage and Serendipity of the Off-Broadway Community
The Obie Lifetime Achievement winner considers theater a ‘collaborative work’ that, at its best, can function as a ‘perfect model for society’
by
Miriam Felton-Dansky
May 16, 2018
Theater archives
Eliza Bent’s “Aloha, Aloha” Is a Funny, Cringe-Inducing Look at Cultural Appropriation
by
Miriam Felton-Dansky
April 13, 2018
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