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Scott Tobias

FILM ARCHIVES

And It Can’t Get Up: It’s the Studio System, Rather Than London, That ‘Has Fallen’ in This Grim Sequel

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FILM ARCHIVES

Jesse Owens Inspires, but Race Stumbles to the Finish Line

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FILM ARCHIVES

Jia Zhangke Looks Into His Homeland’s Future but Loses Sight of Its People

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FILM ARCHIVES

‘Concussion’ Takes on the NFL After All — But Offers Little Drama

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FILM ARCHIVES

‘Son of Saul’ Tracks One Cog in the Death Camps’ Machine

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FILM ARCHIVES

‘My Friend Victoria’ Is an Empathic Study of Race and Class

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FILM ARCHIVES

‘The Forbidden Room’: A Journey to the Center of All Stories

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FILM ARCHIVES

Stuck in the Pack: ‘Wolf Totem’ Is Gorgeous, but It Holds to Nature-Adventure Formula

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