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A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Denzel Washington in Spike Lee’s “Malcolm X.” This famous “double dolly” shot made it appear that the character was floating through Washington Heights, near the Audubon Ballroom, where Malcolm X was assassinated, in 1965.

VOICE CHOICE

Making Movies in NYC Might Seem Thrilling, But You Can Get the Real Dope at a Live Q&A

by R.C. Baker

Coming and going: A school bus and a VW bus run on flower power in the Bronx.

VOICE CHOICE

Find Your Good Vibrations this Summer at the New York Botanical Garden’s “Flower Power” 

by Laura Bell

He’s back: The Bard gets ready for Shakespeare in the Park, 2026.

VOICE CHOICE

Get Your Shakespeare with a Dose of Summery Central Park Vibes 

by Laura Bell

WEB_1_FIRE ISLAND

SEVEN DECADES

Fire Island A to Z

by Michael Musto

Denzel Washington in Spike Lee’s “Malcolm X.” This famous “double dolly” shot made it appear that the character was floating through Washington Heights, near the Audubon Ballroom, where Malcolm X was assassinated, in 1965.

VOICE CHOICE

Making Movies in NYC Might Seem Thrilling, But You Can Get the Real Dope at a Live Q&A

by R.C. Baker

Chiwetel Ejiofor goes walkabout amid the horrors of the mundane.

FILM

Review: Kane Parsons’ ‘Backrooms’ Explores the Evil Architecture of Banality

by Michael Atkinson

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Film Reviews

FILM ARCHIVES

The Slow-Burn Style of Techno-Thriller “Hover” Makes It Worth Seeing

by Simon Abrams

June 27, 2018

FILM ARCHIVES

Clio Barnard’s “Dark River” Is a Masterful Drama About Family Trauma

by Karen Han

June 27, 2018

FILM ARCHIVES

Debra Granik’s Edge-of-Society Thriller “Leave No Trace” Quietly Blows Minds

by Bilge Ebiri

June 25, 2018

FILM ARCHIVES

Experience the Mad Opulence of Visconti’s “Ludwig” on a Big Screen

by Bilge Ebiri

June 22, 2018

FILM ARCHIVES

Right on Time, the Return of Godard’s Film About Blindly Following Orders

by Bilge Ebiri

June 21, 2018

FILM ARCHIVES

“Beach House” Is a Spare Little Chiller

by Serena Donadoni

June 20, 2018

FILM ARCHIVES

Robert Pattinson and Mia Wasikowska’s Alt-Western “Damsel” Isn’t as Clever as It Thinks It Is

by Simon Abrams

June 20, 2018

FILM ARCHIVES

The Specter of French Anti-Semitism Needs a Smarter Film Than “Spiral”

by Simon Abrams

June 20, 2018

FILM ARCHIVES

“The Catcher Was a Spy” but the Movie Was a Bore

by Kristen Yoonsoo Kim

June 20, 2018

FILM ARCHIVES

“Araby” Is a Beautiful Bummer of a Movie

by Matt Prigge

June 20, 2018

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